SNL UK: Amelia Dimoldenberg/Rachel Chinouriri (09.26.2026)

Oasis (ft. Andy Burnham): Don't Get Scammed In Anger

• I got a good chuckle out of the word "NORTH" bring blared out like that right at the top of the episode as well as how goofily decorated in a mod/posh fashion his office seemed to be.

• I was wondering how often they'd use George's Andy Burnham impression. Doesn't seem like he's done enough lately to warrant a cold open in the past couole of weeks but the writers found an angle somewhere between UK/Russia relations and his speech at the U.N. general assembly this week.

• Nice to see Celestes' Angela Rayner character again. I guess the real Rayner is still in government as a member of Burnhams' cabinet?

• Freddie & Jack as the Gallagher bros from Oasis? Pretty solid impressions from both (better than their Russian accents anyway). I guess this sorta makes up for the poor response that James Austin Johnson and Sarah Shermans' Oasis/Gallagher impressions got from actual Brits a while back.

• Ooooooooooh, I see. Burnhams' being scammed by two Russian spies/Oasis catfishers...who are also the actual Gallagher brothers because Oasis was been a 30+ year Russian Psyop this whole time. Funny concept. 

• I got a kick out of Celeste taking replacing one of the framed photos on the wall with a t.A.t.U poster as well as Jacks' line about the song "Wonderwall" being originally titled "Wonderful Wall" about the Berlin wall.

• I guess they're now forming a "take" on Burnham around how much of a gullible, naive idiot they perceive him to be? Well, at least they're not portraying him as a spineless worm who can't stand up to Russia.

• I wasn't crazy about George's speech at the end. Fun cold open even if it's not my favorite of series two so far. B-

Monologue

• Ok, so...it's just about the show she's ending.

• Reminds me of Bill Haders' 2018 host monologue (the part about him thinking "Barry" was a conflict of interest specifically)

• The jabs at SNL UK and various Britich KFC equivalents having less fame and history than their American counterparts and Ed Sheerhan being an Elmo-like puppet were pretty sharp. She's doing fine for a non-actress/influencer host so far.

• This feels a lot like a typical "introduce yourself to the audience as if this is the first they've ever heard of you" SNL US host monologue, but I don't really mind. 

• This is pretty much the best I could've hoped for her monologue if it wasn't going to contain any guest out-of-nowhere guest cameos. It feels like it ran out of steam bit at the end though with the whole "be yourself" speech.

• Speaking of, upon a rewatch of this monologue, I noticed she said she had an "upcoming romcom" so I gues she is actively making the transition from "YouTuber/influencer" to "red carpet interviewer/presenter" to "actress who pretty much plays herself in her earliest roles" (which I guess makes Awkwafinas 2018 SNL US hosting stint the only true precedent for a YouTuber host pre-Amelia). So, I guess her doing this show is just part her getting her comedic acting sea legs before starting on that romcom of hers. C+

Harry Kane For Babybel Waxy Cheese

• I'm guessing this pretape is an elaborate spoof of a slightly less elaborate actual commercial for an actual waxy cheese Harry Kane endorses? 

• Seems like it's hitting all the tropes of typical big flashy athlete endorsement commercials of the past 30 years or so. 

• Nice way to work in Amelia and Freddie (who must have been parodying some specific announcer the way he was made up).

• Already, I like how they've more than made up for the severe lack of George and Al in last weeks' show by this point. George as the FIFA president was worth a chuckle.

• Nice way to work in Paddy outside of Update as "the guy who breaks up fatbergs".

• No idea who Emma was playing but i liked the Jennifer Saunders vibes she gave off and the sheer oddity of her just straight up biting George like a vampire to get the waxy cheese back.

• The show must have some pretty mixed feelings about Harry Kane. Als' portrayal of him isn't exactly the most flattering but it is a bit nicer than the rather scathing Samaritans joke Ania told about him in a previous Update this season.

• Then again, the show has also just depicted the FIFA president as basically just living in a sewer (which I totally get) along with this Fiona Bruce person who they...also have apparently depicted as a vampire? So yeah, the show must REALLY hate them.

• Not all of this hit for me, but I liked the absurdity of it. C+

Night At Madame Tussauds

• Ok, I chuckled at Amelia's "Marylin Monroe/Dua Lipa" and I liked Jacks Chris Martin impression.

• Speaking of, I was wondering who that black extra next to that one writer portraying Marilyn was supposed to be. I thought he might've been Lenny Henry until I noticed he was wearing a trench coat while also holding a sonic screwdriver so...he obviously must've been Ncuti Gatwa.

• So, I guess this is a cross between "Night At The Museum" and "Invasion Of The Body Snatchers"?

• I like these Beatle impressions and the Chaplin/Hitler gag from Larry. Speaking of Beatle impressions, George has now gone from playing Ringo to playing John and Freddie is now Ringo. That leaves...Celeste as George and Paddy as Paul. I guess that makes enough visual sense.

• I like the idea of Emma as Tom Hiddleston (just anachronistic enough to work even if her performance and general presence came off more Tom Jones than Tom Hiddleston) but this part feels like it could've been tightened a bit (and I kind of saw that "cold dead eyes" gag coming)

• Nice ending twist with Al's character having been an Elvis wax figure this whole time. I liked the writing behind this even if bordered on being a little too Rick and Morty-ish even for this show...and even if it just so happens to be the second live sketch of the night that involves people being tricked by celebrities. B+

Fashion Sense and Sensibility

• The idea of Al Nash being a male lead in a Jane Austin-esque period romance piece is intriguing enough.

• The premise of George, Emma and Amelia just ragging on Als' big cargo jorts isn't much on paper but the flourish they're putting into it is putting this over.

• I liked the gag of one pocket just containing Skittles and another just containing old, useless receipts.

• Hammed as Als' father is the icing on the cake here (although the reveal of both their pants having the word "juicy" on the back didn'tdo much for me). I got slight Brian Blessed vibes from Hammeds' performance.

• The twist ending with George and Emma putting their differences with Al aside and allowing them to marry Amelias' character when Al points out that their whole family wears five toed athletic shoes was just as strong a conclusion to this premise as anything else they could've come up with. B-

Love Is Blind

• The premise of Al's character being half horse isn't much by itself but the "glue factory" and "oats" gags being played out with typical reality show melodrama works for me.

• Amelia seems to be in her element here. I like that she played it all the way up to the ending so straight  like she didn't even notice or care Al was half horse.

• For a sketch parodying a reality show, this sure had a decent level of sweetness, charm and real heart to it with Amelia and Al seeming to make a genuine human connection with each other.

• I don't think we needed the ending button of Als' character being disappointed in Amelia's rack...but I still liked the rest of this sketch enough that that alone couldn't ruin it. B+

Apartment Fire

• Aurora Borealis?!? (sorry just had to get that out of the way)

• This is another sketch with almost too simple of a premise but the performances are selling it (especially Jack and Larry as the exasperated fire fighters). For once, Jack playing his part over the top with big line readings was actually appropriate. Al and Amelia were fine in it.

• Nice to see George as the fire chief again even if I didn't much care for this speech either. His turn in this sketch really reminded me of his performance in the sketch from Nicola Coughlans' episode where he had to land the plane (which was another sketch like this that I'm a bit more lukewarm on in hindsight).

• I'm not that crazy about George's ending speech but I loved his commitment and I liked how this ended with him suddenly saving Annabels' character who was their left behind daughter. C+

Weekend Update w/Paddy & Ania

• Paddys' Best Jokes: Trump Meets Burnham, Netanyahu, Paul Bros, Weinstein

• Anias' Best Jokes: Trump/Xi State Visit, Sam Altman, In Hock/Keech, Blair Workout

• Nice Chevy/Jane moment with his transition from that Netanyahu joke to that Wes Streeting joke.

• That Tommo arrest joke with the Ken dolls reminds me of a very specific and very cheap joke Tina & May did on SNL US 21 years ago.

• This East London mosquito bit feels like a VAST improvement on an SNL US Update formula that Bowen, Marcello, Kenan and Sarah have been made to follow in the last few years. Still, the general UK specific humor behind it put it over for me.

• That Labour party conference joke from Ania (the one that she broke during) had real Jost/Che joke swap energy (especially with Paddys' reaction of disgust). That had to have been a cold read, right? Like somebody threw that in between dress and air?

• Jesus, that "perv glasses" joke from Paddy has to be the absolute raunchiest and most gleefully grotesque visual joke ever pulled off on either version of Weekend Update. Sarah Sherman would be green with envy if she saw it.

• That had to be the most memorable Update SNL UK has ever produced. Holy shit, Paddy & Ania really swung for the fences tonight. A-

The One Show

• Not crazy about this being Ayoades' first appearance of the night but at least she isn't completely shut out of the show. She and George play phony pleasant morning show hosts well.

• This seems like it's going for the same level of absurdity as last weeks' "The Shape" but more chaotic. 

• I do like Freddie's commitment to the intense punishing nature of this. This is a great breakout showcase for him.

• This reminds of those sketches All That used to do with Josh Server as the physically tortured on location weatherman for Channel 6 1/2 News who would always be on the scene at the North Pole or a literal desert or some such place and Chrisy Knowings as the oblivious in studio local anchor.

• I'm surprised it took this long for a sketch where Amelia literally just plays herself but I did like how she was able to provide a warm, sympathetic ending to this with the reveal that she herself has the wide, thick feet that Freddies' character is doing the worm to raise awareness for. B-

How To How w/Hayley or Kayley

• Speaking of sketches, I'm surprised didn't air earlier in the show...

• I like how this sketch is just a blackout length jump in to an insane conversation on a "Call Me Daddy" type dumb millenial white girl type podcast just mid way through.

• This feels like a much streamlined and improved version of what that SNL US Update commentary with Chloe Fineman as Alex Cooper and Veronika Slowikoska as Alix Earle was going for. B+

Ranking SNL UK Series Two From Best To Worst

1. Amelia Dimoldenberg/Rachel Chinouriri (09.26.2026)
2. Jamie Demetriou/Royal Blood (09.19.2026)
3. Jeff Goldblum/CMAT (09.12.2026)

Ranking All Of SNL UK From Best To Worst

1. Jamie Dornan/Wolf Alice (03.28.2026)
2. Hannah Waddingham/Myles Smith (05.09.2026)
3. Amelia Dimoldenberg/Rachel Chinouriri (09.26.2026)
4. Jamie Demetriou/Royal Blood (09.19.2026)
5. Ncuti Gatwa/Holly Humberstone (05.16.2026)
6. Tina Fey/Wet Leg (03.21.2026)
7. Jeff Goldblum/CMAT (09.12.2026)
8. Nicola Coughlan/Foo Fighters (04.25.2026)
9. Riz Ahmed/Kasabian (04.05.2026)
10. Aimee Lou Wood/MEEK (05.02.2026)
11. Jack Whitehall/Jorja Smith (04.11.2026)

Overall Thoughts

• This may have been the strongest episode of series two so far. It was by far the most consistently entertaining and least uneven with no real lows and one very strong high that stood out above the rest.

• I had tempered my expectations for this episode based on the host alone but Amelia really delivered. She did pretty much exactly as well as I would've expected and the show proved it was able to work with her and ingratiate her into the show rather than having to work around her.

• Plus, it helps this episodes' reputation that it aired on the same night as another dull as dishwater season premiere of Saturday Night Live US (which you can also read my review of on this very blog).

• Cast usage was pretty consistent. They seemed to have used Annabel Marlowe and Ayoade Bambogye a bit less but thankfully they evened out everyone else's airtime using George, Al and Hammed much more (and continuing to use Jack, Emma and Freddie in ways that play directly to their comedic strengths.

Closing Thoughts

• Well, we know the next episode of SNL UK airs on October 10th. As of this publishing, we now also know that the host will be Danny Dyer, a name I have only heard in an old Rubberbandits song prior to today. I had always assumed he was just a TV presenter but today I found out he is an actual character actor who's been around and working for a number of years. Hope he does well! 

• We also do know who the host and musical guest for SNL US is that same night and, well...let's just say ol' Danny Boy ain't exactly facing stiff competition.

• Still, I hope you enjoy reading my reviews of the upcoming episodes of SNL US and UK in the next month (including their most recent US season premiere which aired the same night as this episode and my review of the SNL US season 33 finale with Steve Carrell and Usher which Deej and I will be covering on the podcast in a few weeks).

• See you again real soon!

SNL UK: Jeff Goldblum/CMAT (09.12.2026)

Harry & Megan's Return Home

• Hmm...I was so preoccupied with how they would handle Andy Burnham sketches I completely forgot that a sketch about Meghan, Harry and the royals right now would probably make much more of an impact right now.

• I still like these Charles & Camilla impressions. Emma seems to have reigned hers in and toned hers down a bit while Larry has incorporated some C. Montgomery Burns into his King Charles?

• I guess Jack as Harry and Ayoade was an inevitable sight. I can't say I was that impressed by Jack's Harry (I don't think the real Harry is that gruff so I'm not sure what he was going for). I did like Ayoades' American accent, though. The PDA between the two of them felt like it went on a couple of beats too long, though.

• I did like Larry-as-Charles' line about being grateful that Harrys" father isn't still around to see what a waste he's become for the reaction it got. I'm guessing that must be a reference to some affair of Diana's (possibly Dodi Fayed?) and not just a joke about King Charles' possibly becoming senile in his old age and it being kept from the British public?

• Wait, that's...George Fouracres as new Prime Minister Andy Burnham? I thought Paddy was the one who was being groomed to take on that role? Did he not want it or was it taken from him at the last minute? Was this just done by the writers in service of their own (possibly one off) meta joke about there being "no difference" between Burnham and Starmer?

• Ah, I shouldn't complain or nitpick too much. George Fouracres may be my favorite member of this cast. He pretty much saved this sketch and I'm glad to see he still gets to keep his position as SNL UKs' PM impersonator.

• Seriously though, I was wondering what they're take on Burnham as a person and a politician would be...since he's only been in office a couple of months now and may not have done much of note. I'm a bit surprised that the shows' take isn't just that they hate Burnham because the English people have always hated all their prime ministers except for Winston Churchill. 

• Rather, their take seems to be that Burnham tries too hard to be seen as a "relatable" British guy from your average northern everything when there's enough evidence out there to refute that claim...and that Harry and Meghan Markle may be the only ones dumb enough to buy that crap. 

• I mean, even George himself must find Andy Burnham pretty damn relatable since it sounds like he's mostly just using his own voice and accent to play him.

• I actually got a chuckle out of the "Makerfield? Maybe I'll make a field!" joke. This cold open got off to a bit of a shaky start but had a strong finish. B+

Montage

• I like this new intro. They sure injected a whole lot more color and life into it.

• I've seen someone say this reminds them of the SNL season 32 intro. I'd say the SNL UK Series One intro is more reminiscent of seasons 32-34 SNL US. To me, the SNL Series Two intro is more reminiscent of the SNL seasons 35-37 intro.

• It also reminds me a lot of the season 14/15 and season 21 SNL US intros in that there's brief shots of the cast interacting with each other in certain shots (which I guess the SNL US season 32-34 intro might have as well, so there's that).

Monologue

• Is it just me or does Jeff Goldblum now sound a lot like a cross between Alan Alda and Elon Golds' impression of him from the Dana Carvey show at this point?

• Wasn't expecting a smooth jazzy musical number from Jeff, but it's charming enough. I'm OK with it, forced cockney Britishisms and all.

• Hell, I'm even getting slight Walken vibes from it. Even in general, this whole thing feels like a 1995-2002 era SNL US musical monologue with a modern intro. Is this supposed to be a parody of "My Way" or "Mac Tonight" because it sounds like a cross between both.

• Even the seemingly obligatory Jurassic Park callback was fun. Nice way to work in CMAT (who sounds like they couldn't get Ella Langley or Chappell Roan so they went with her non union British equivalent). B-

Gregor J. Dupont: Professional Baby

• This is already making my night. I'm ecstatic that we're getting another absurdist pretape with an original George Fouracres character.

• So, this character hs basically a cross between Peter Serafinowicz's "Brian Butterfield" and Jon Lovitzs' "Master Thespian"? It's still very fun. I'm not complaining.

• The highlights of this for me were the haunting, ghostly playtime/sleepy time noises, the line running and union rule that he doesn't have to play a baby after 6pm and the sea chanting.

• Who were the ones playing Larry & Ayoades' partners in their uniformly negative testimonials? Were they writers or extras? 

• I also liked the added absurdity of Jeff playing George's father who is also a working actor and does a similar gig to his son as a professional ending.

• I also thought that Emma videotaping George's play as if he actually were her son was the best possible ending this could've had. A+

Invisible Friends

• Strange that they're essentially doing two sketches in a row with male cast members playing children, but OK. I'm not mad, but it's certainly a choice. Jeff playing this role as basically himself was a nice touch that didn't steal focus from the rest of this sketch.

• I do like that this escalates beyond just Als' initial "WTF is this grown ass man doing in my child's bedroom reaction" into Celeste knowing Jeffs' character, Hammed as an "invisibility maintenance man" repairing the entire "invisibility network" that went down and Als' character having his own "invisible friend" who's basically just Annabel in a blatant sexpot role that probably would've gone to Emma is this were last season (which shows just how much range Annabel has since she handles this just as well).

• I even got a kick out of the Twilight Zone-esque twist of Al's entire family being "invisible". Decent first appearance from Freddie. B+

Cyrano De Goldblum

• Nice that they're essentially giving Freddie his first showcase sketch in his first episode (but boy does that line about him being "five sad wanks away from a trip to the gun store hit hard in 2026...especially coming from a British show).

• I do like the twist that Annabels' character is some how responding positively at first and then reasonably concerned with her responses to Freddie's statement before catching on to what's happening. That's a nice counter to the very predictable premise of Freddie repeating Jeffs' exact words and directions in the most literal verbal way possible, even interpreting directions of physical actions as lines to repeat.

• I also liked the gag of Freddie basically narrating Jeffs' mugging and police encounter followed by Annabels' character recognizing Jeff from "Cats And Dogs" of all things.

• Speaking of Jeff...did he just flub a line or miss a cue? Did Freddie or Annabel miss a cue? What the hell happened there exactly that botched that ending? B+

The Piano

• Is this a parody of an actual British reality show? I think it must be if it has so many impressions of specific British celebrities (and I'm guessing Ayoade is playing a real British musician as well?)

• Speaking of impressions, I liked getting to see Celestes' Claudia Winkleman again and Jack Sheps' Mika wasn't as much of a demerit against this sketch as I was thinking it would be. He and Ayoade bought a nice sinister, blithely cynical energy to this that helped sell it.

• If this is a real show, I'm guessing either tightly controlled public reactions may be part of the gimmick behind it (like with all reality shows) but the gag may be "what if this got the worst reactions possible that all just centered on peoples' real airport hassles?"

• Ah, I shouldn't overanalyze this sketch. I don't need all this background info to get what it's going for.

• Is Annabel just playing the same generic drunk bridesmaid she played in the Paddington pretape from Tina Feys' episode? 

• Somehow I knew this would include some out of nowhere vomiting. Nice breakdancing from Freddie angrily reacting to all the flights being canceled flight from Larry.

• This feels like it was modeled after a specific late 2010s/early 2020s type of SNL US pretape (the one with Nate Bargatze as a golfer comes to mind for some reason...I'm sure there's several others that parodied various types of US reality competition shows that I'm forgetting).

• Most importantly, this felt like SNL UK  attempting their own version of "Farewell, Mr. Bunting" or any of the several gratuitous gore heavy Sarah Sherman pretapes SNL US has given us in recent years (except the SNL UK writers know how to reign it in properly and contain the comedic value of it as tightly as possible). 

• My only question would be how that bomb detonation would kill Jeffs' character but only leave Celeste covered in dust but otherwise unharmed? B-

Yoga Class

• Nice to see them give Celeste Dring a character showcase of her own. I'm getting slight "David S. Pumpkins by way of Kate McKinnon/Kristen Wiig character choices and Chloe Finemans' accent work" vibes from this but I don't even mind. Freddie was a nice addition.

• Boy, I sure wanted to like this sketch more but it seemed to be entirely based around Celeste doing the worst Swedish accent you've ever heard. Besides that, it didn't escalate or go anywhere and that nothing else was...paht oof eeet. Still, I wouldn't go as far as to say that James Longman or whoever else us charge of picking which sketches go in the live rundown "dahn't dew eet" to this one.

• I did like her urging her yoga Class to help her move a family of three into a new house and the ending reveal that the whole things was a ploy to get Jeff to fix his own neck crick by turning his head. C-

Weekend Update w/Paddy & Ania

• Paddys' Best Jokes: England Till I Die, Protest Leader, Trump Punchline Taken By Legal Team, Sanctions, Monty Gone (such a Norm MacDonald ass joke), State Funeral

• Anias' Best Jokes: Migrant Protests, Trumps New Hair?, Nigel Farage, Eaton College, German AfD win

• Boy, these migrants protest jokes are more of the type of jokes that I only kind of understand if I process them as "these are the type of jokes Jost & Che might tell about Jan 6 protestors".

• Paddys' mustache looks to be a bit...wispier than it was a few months ago. So, it looks like he shaved over the summer for nothing...and may have been so bummed about losing out on a certain role that he hasn't shaved since?

• You know, as recently as July I was starting to see Paddy Young as basically England's answer to Colin Jost (both SNL Weekend Update anchors who each have to sit through the same female castmate playfully roast them at the desk) but I'm starting to see more parallels between Paddy and...David Spade circa October 1992.

• I bring that up here because I bought it up on a certain podcast that was recorded on the Friday before this episode aired live which...at this point, I think might get edited out, so...we'll see.

• So, Emmas' French maid is basically an exact cross between her "woman who can't be ignored" and Nora Dunns' "Babette the French sex kitten" from 40 years ago? Also, did this character start with Emma figuring out how to do an impression of Ayoade and get turned into something else?

• Ah, I'm not mad at this character. I mean, the premise of "French maid who's bad at cleaning but good at sex appeal" is a bit hack but she added some charm to it. B-

Bi King Kong

• PLEASE tell me that's at least Larry in that gorilla suit. This seems like a cross between two specific sketches from Jack Whitehalls episode but done in a fashion that belabors it's own point at first glance because there's only so much work they can do with inconsistently sized props and setpieces in one live sketch.

• Even if the giant nose ring felt like a big cheap laugh, this had a few small things going for it. For instance, having Jeff Goldblum essentially play himself dovetailed nicely with this conceptually and broadcasting this in 4:3 aspect ratio was a nice touch.

• Nice transatlantic accents from Al & George especially. Their performances really helped put this over. Jack seemed to be struggling a bit with his, but the moment where Al accidentally knocked his hat off might have accidentally been the funniest part of this. D+

Yet Another 45 Seconds With Fouracres

• Boy, am I glad to see this back!

• Nice that he's branching out from songs but still finding ways to incorporate fenale guest cameos in this. I guess he felt another song might have been redundant since this already featured tonight's musical guest anyway.

• I didn't even mind that it was basically another Star Wars parody since it ended in a sprawling light saber battle that was fun to watch with a sudden ending that rendered it unnecessary the whole time. B-

Now, this would normally be the point where I rank this episode among the others of its respective season so far, but I can never really do that for a series premiere obviously, so since SNL UKs' previous series was eight episodes I'd like to rank the entire run of this show as a whole...

Ranking Each SNL UK Episode From Best To Worst

1. Jamie Dornan/Wolf Alice (03.28.2026)
2. Hannah Waddingham/Myles Smith (05.09.2026)
3. Ncuti Gatwa/Holly Humberstone (05.16.2026)
4. Tina Fey/Wet Leg (03.21.2026)
5. Jeff Goldblum/CMAT (09.12.2026)
6. Nicola Coughlan/Foo Fighters (04.25.2026)
7. Riz Ahmed/Kasabian (04.05.2026)
8. Aimee Lou Wood/MEEK (05.02.2026)
9. Jack Whitehall/Jorja Smith (04.11.2026)

Overall Thoughts

• This was an episode that started out pretty strong, lost minimal steam at the end but remained consistently entertaining through.

• SNLs' season premieres usually have this "shaking off the rust and cobwebs" feeling to them as they get themselves back into the weekly grind, but even SNL UKs version of that shows a lot more effort and creativity.

• Jeff Goldblum was...basically Jeff Goldblum but still, he proved himself to be a host that the cast and writers easily worked with as they quickly figured out how to cleverly worked into the show rather than having to work around.

• Aside from another noticable lack of Hammed and a reigned in Jack, cast usage was pretty strong for everyone. Celeste and Annabel might have had the best nights they've had in the entire run of the show and they actually gave some substantial airtime to Freddie Meredith...their newest cast member. I sure wish SNL US could do this as well.

Closing Thoughts

• Well, that was fun. Next week, Jamie Demetriou hosts SNL UK. He's another one of those actors I can't say I've seen in anything but I'm sure he'll blend right in with the cast and this will be a strong show.

• I'll have a review of that posted on this blog by this time next week. Around that same time, I will have recorded the next episode of We Heart Hader reviewing the Shia Labouef/My Morning Jacket season 33 episode of SNL US which I will have a review of on my blog roughly the week after that when that podcast episode is released. See you again soon!

SNL UK: Hannah Waddingham/Myles Smith (05.09.2026)

Ten Downing Street: May 2046

• Hey, a Peter Serafinowicz cameo! Very nice! As expected, he does a solid Nigel Farage impression.

• I mean, it is a little troubling to see SNL UK seemingly start their own version of the recent-ish SNL US trend of bringing in seemingly random celebrities to play prominent and widely disliked right wing political figures, but I don't mind it here because SNL UK does have sharper political writing than SNL US. 

• As long as they're just showcasing underrated British comedians who may be less known stateside and not just getting big names to overshadow the actual cast, I'm fine with this type of cameo. Maybe Peter could also host an entire episode of SNL UK and we could get a Brian Butterfield sketch? That would certainly be great!

• I'm not that familiar with whoever Ayoade is playing, but it doesn't really hinder my appreciation of this sketch since I pretty much know what it's going for.

• I get a kick out of the idea that these two assholes have used their power to turn 2046 London into a burnt out, post apocalyptic husk of its former self. Heck, I even like to imagine that this sketch takes place in the same universe as Mitchell & Webbs' "Quiz Broadcast" sketches and that this may be a prequel to them meant to show how "the event" was caused (REMAIN INDOORS! DO NOT THINK ABOUT THE EVENT!)

• This also turned out to be a good way to sneak in George's Starmer, Celestes' Rayner and Als' Churchill again (although the "Big Ang" and "Big Chungus" references were a little odd and dated).

• Heck, I even liked the self-deprecating meta comment on SNL UKs' recent renewal. Other than that, this was a fairly ambitious cold open that got off to a strong start and knew where to stop once it had no other place to go. B-

Monologue

• There wasn't a whole lot to this monologue, but Hannah put it over flawlessly.

• She had the best energy and most infectious enthusiasm out if any SNL UK host I've seen so far.

• I liked how clever the "high heels" gag was and how she glossed over her "glamorous" acting roles (did she also play Barry Gibb at one point?). 

• I didn't know she landed a small part on Game Of Thrones at one point, but hey, good on her for striking while the iron was actually hot there.

• The different accents she pulled off while showing us what her "fantasy roles" would be was the highlight of this. She even managed to maintain her poise while doing a Chewbacca impression! A-

Sunburnt Lawyers

• This was just such a gleefully stupid and anachronistic concept on paper that it just had to work in execution! The reason it did work was through sheer commitment to such a simple premise.

• Among my favorite moments were their interaction with Celeste, Emmas' bits with the wig and later with the fan in Larry's office, Hannah's line "my skin feels like the sound of bees", Jacks simple reaction of "wot?" to Hannah and Emma applying some kind of sunscreen or ointment to their skin in court and of course the reveal that their sunburns always help them win the case. B-

End Of Year Musical

• It actually took me a minute or two to tell Annabel & Emma apart from each other because Annabel just seemed to be doing the exact same voice and mannerisms that Emma did as her character "Juggs" from the bra fitting sketch in the premiere with Tina.

• After having recently heard about Annabels background in musical theater and her great singing/vocal abilities, I figured out quickly that was her as the other teacher. Plus, I just as quickly figured out Emma was playing one if the students and realized I still can tell them apart facially.

• At first, this reminded me a bit of that really dumb "Hip Hop Nativity" sketch from Billie Eillishs' SNL US episode (similar setup and wardrobe choices) but thankfully this switched gears real quick and focused up on something more nuanced.

• They say the third season of Ted Lasso basically became Jason Sudeikis just using the show to work out his own personal issues surrounding his divorce from Olivia Wilde once he took over as showrunner. I wonder if this sketch was purposely written as a meta commentary on that?

• This was a pretty simple and straightforward premise really but Hannah and Annabels' showing off their pipes really put this over for me. I did like Hannah's line about having once starred in a knockoff of Beauty & The Beast called "Pretty Girl, Big Dog".

• This really picked up once Hannah and Annabel invited Jack, Ayoade, Emma and Celestes' characters to rehearse the group number that unsubtly shades all of them (although I could've done without their whole "we're not gonna say why" speech to Jack's character). B+

Speed Awareness Course

• Two sketches in a row that involve Hannah's characters teaching a class of students? Both of which just involve her character just...unloading her personal life on her students through her lesson plan? OK. Odd rundown so far, but I'm not complaining...

• As much as this seemed to borrow from and soften up those "job seekers" sketches from The League Of Gentleman (which thankfully none of this cast will be soon thanks to the recent series two renewal), I enjoyed this for how much Hannah threw herself into this role, the odd little details of all her temptations to get the class to speed, and of course, how they payoff was essentially a becyclopsed Al Nash entering the scene (in the same outfit he wore in that OG radio sketch) to confirm that every detail Hannah's character dropped about her own odd family life is 100% true.

• Hell, I can even relate to the "six hour exams" part since my full time job heavily involves proctoring those...but perhaps I say too much? Oh well, that's gonna have to be a story for another time.

• Even the button on this sketch was relevant to everything that proceeded it. This turned out to be a PSA against speeding rather than for the polar opposite of the thing that was just shown. Well done. A+

Daniel Day Lewis & The Triplets

• As odd as it felt seeing either iteration of SNL come back from a commercial and go straight into a pretape, this turned out to be one of the more quietly brilliant pieces of the night. 

• Kudos to Larry for getting to land another impression on the show (although I think they could've tightened up or shortened the "it's not about the yogurts" speech before the big reveal).

• Of course, George played off Larry AND Emma brilliantly. I especially liked Als' line about how he feels such an intense emotional connection to the show "Young Sheldon" went on to be a set designer for that show.

• My other favorite moments were the lines from Larry about "repeated six month comas" and an "Abraham Lincoln phase" and of course the reveal that Reese Witherspoon got the part he was up for followed by the "There Will Be Blood" family photo. B-

Weekend Update w/Paddy & Ania

• Paddys' Best Jokes: Young People, Starmers' Image Problem, Met Gala, Texting Joke

• Anias' Best Jokes: Election Results/Reform Party, PM Under Pressure, Minister Warns, Katy Perry, Nolan Odyssey, Yogurt As Junk Food?, Horse Meat

• I liked Als' commentary as brief as it was. It felt more like a bit designed for Jack but I could see the need for Al to play a middle aged conservative leaning voter. Also, I feel like I have just enough cultural context for what this was going for since we apparently have plenty of people in the states who were too afraid to admit publicly that they just straight up voted for Trump for any reason out of fear of social backlash.

• Jack's commentary as the character "Scrimpsch" feels the absolute most like something that we could've seen done on SNL US the UK show has done so far. I could definitely see either Marcello or (more likely) Bowen having done this in the past year or so (or hell, maybe even Fred Armisen if this were 23 years ago) but he actually makes this work much better than either of them would have. I was able to get into this just enough to get how Jack was making Ania break. 

• I liked his lines about wishing wells and ants as well as how he kept skipping ahead to random numbers like nine and seventeen when he was listing off his tips. I also liked the detail that he was left behind on a class trip from Europe and no one (not even his parents) bothered to look for him

• One odd thing about this is how I could only recognize every other song that he was parodying. I could pick out the tunes of "It's Hard Out Here For A Scrimpsch" and Natasha Beddingfields' "Unwritten" but not the other two.

• OK, the wrestling match between Hammeds' Rhino and George's Attenborough is definitely the highlight of this episode if not the entire run of SNL UK so far. 

• True, this does feel like any combination of Bowen, Sarah, Marcello or Mikey could have done this but Hammed and George definitely made this work better by framing this as a "Ric Flair vs El Niño" style wrestling match instead of a Springer-style daytime trash TV confrontation and just generally leaning into the whole "damn, they didn't have to go THAT hard" vibe.

• Great job by the Ghosh brothers from Quality Wrestling Academy in Portsmouth for choreographing that and also appearing in it. B+

Phantom Of The Foot Locker

• I wanted to like this more since it's another out there, goofy premise that also functions as a showcase for Al Nash (who comitted to this well as did Hannah who had the theater background to pull this off but sadly, I don't think this went anywhere.

• Yes, they captured the haunting, ethereal vibes of "Phantom of the Opera" well and transplanted them into a random British Foot Locker with ease...but sadly, this sketch was kinda flat and just...there.

• The gag with Hannah's daughter revealing she has a Phantom like face mask of her own was the most telegraphed joke I've seen on this show so far. George's line about hoping Hannah and Al don't rekindle their old love through music comes in a close second. C-

Glasses Of Wine

• Wow, right into a Wilson Phillips style song. Ok.

• Celeste was borderline unrecognizable here at first but she managed to steal the show. I liked how she went into the audience...and was apparently so drunk even she didn't know if she was playing herself or a character.

• I guess this was another showcase for Annabel and Hannah's singing talents, so it was nice of them to cede some of the spotlight to Ayoade & Celeste so they could have their moments.

• I also liked how this progressed through about four different stages of drunkenness and escalated uniquely as it went on.

• Nice number to end the episode on, too. I liked how the melody of the song just bled into the closing credits. B-

Ranking SNL UKs First Series From Best To Worst

1. Jamie Dornan/Wolf Alice (03.28.2026)
2. Hannah Waddingham/Myles Smith (05.09.2026)
3. Nicola Coughlan/Foo Fighters (04.25.2026)
4. Tina Fey/Wet Leg (03.21.2026)
5. Riz Ahmed/Kasabian (04.05.2026)
6. Aimee Lou Wood/MEEK (05.02.2026)
7. Jack Whitehall/Jorja Smith (04.11.2026)

Overall Thoughts 

• This was an astounding episode and a huge step up from the previous week's episode with Aimee Lou Wood. Most everything hit well and Hannah was an outstanding host who the show knew how to instantly tap into the strengths of. 

• She elevated a lot of the show and I would definitely like to see her host again as soon as possible. Myles Smith was decent. Even if I'm not too crazy about his music, it's nice to come across an actual British musical guest on this show that I've somehow already heard and still didn't know I'd recognize until I saw heard him perform live.

• As far as cast usage, no one really dominated but Al, George and Jack came close. This episode also seemed to be a strong showcase for the women (even Ayoade in more supporting roles).

Closing Thoughts 

• The next episode of SNL UK(which will probably air later tonight at this point) will be the first hosted by Ncuti Gatwa. It's a pretty big get for this show to get the current Dr. Who to close out their first season, so this should be a fun episode.

• Of course, SNL UK also has Will Ferrel and Paul McCartney for theie own season finale the same night which is equally exciting (as guarded as my excitement for such an episode can be) and you'll probably end up being able to read my review of Ferrells episode before yiu read my review if Ncutis (or possibly at the same time, who knows?)

• Also, we're switching around the next two episodes of the We Heart Hader Podcast for reasons that should seem obvious but will be fully explained by me in another seperate blog post before the next episode comes out very soon. See you then!

SNL UK: Aimee Lou Wood/Meek (05.02.2026)

Chuck & Camillas' Hijacked Flight Home

• I should've guessed that they'd do this sketch this week. I figured that they'd cast Larry & Emma as Charles & Camilla respectively. Those roles call for brits who are good at facial mugging and stuffy royal aristocratic accents which Emma (and to a lesser extent Larry) have shown that they can pull off in spades.

• Although I was hoping to get a bit of a break from Keir Starmer cold opens (I mean, it's not an impression I see myself getting sick of that easily or anything, but I like seeing them try something different every once in a while) I do like this new wrinkle to Georges' Keir Starmer character in that he's suddenly daring and courageous but only in the name of keeping himself in power because he's so damned ineffectual that redirecting the royals' plane is what he has to resort to.

• I did like the other sudden bursts of brief Austin Powers-like violence but I feel like I might have enjoyed this more had I any idea who Celeste was supposed to be playing or what she might be planning. I did get a kick out of the dumb lisp she was speaking with, though. All I've been able to gather from some light Googling is that Angela Rayner is a member of the British Parliament (I found out more about her from one of Anias' jokes on Update, but more on that later.

• I did appreciate this sketch being written so that no one was supposed to know who Jack was playing (just a regular Brit who was "indoctrinated online by the radical center left"). I did like the visual of him tearing away his outfit to reveal an identical outfit. His character being "poisoned" by Camillas edibles wasn't much of a great ending, though. B-

Monologue 

• This feels the most like we'd get from any SNL US host out of all the SNL UK monologues we've gotten so far.

• I didn't get the Kim Cattral scatting reference but I did like the Sex Education/White Lotus joke. 

• My favorite part was when she just started speaking random gibberish. Very Eric Idle Rutland/Pythonesque.

• I also liked the conceit of the rest of this monologue being her trying to prove to the audience that she is, in fact, an unrelatable weirdo in an effort to break free of her bubble, relatable image...but she kind of lost me with the whole astrology/past lives rant.

• Most of all, I'm just glad she didn't bring up her feud with the American show from last year and left that to the mid week YouTube promo. C+

Dangerous Women

• So, the basic premise of this faux 80s synth vaporwave video is that the "dangerous" woman who is the subject of the song just turns out to be a dumb, accident prone klutz with little to no self awareness or safety awareness?

• This is one of those things that feels like it should've been done by some kind of sketch show years ago but somehow hasn't despite it being the simplest of ideas and yet at the same time also feels like something that only a show with a uniquely British sensibility would produce.

• Does anyone else see a slight resemblance between Aimee Lou Wood and Cecily Strong here? Maybe I only say this because this seems like something that SNL US would've done during her time there.

• Other than that, I feel like this was a solid premise that was lacking a little something in musical execution (although Celeste and Hammed turned in strong performances here. If Hammed can actually sing that well, it's a shame it took this long for him to get to show off his chops). C+

Doctor Who

• Anyone else wondering why they wouldn't...wait a couple of weeks to do this sketch? You know...when they have the ACTUAL current doctor hosting? We're they just afraid to pitch this to Ncuti or was this something Hammed wrote specifically for himself?

• Anyway, I liked the conceit of this sketch being that the doctor and his current companion are forced to interact with a visually nauseating mcguffin of a prop. I just wish they had the ability to go a bit further with it.

• There wasn't much else here. I suspect even if you were around real Doctor Who Superfan who was dialed in to this there wouldn't be much for you here either. Wasn't crazy about the ending either, but I'm at least glad that Dr. Who producer Russell T. Davies was pleased with it. C+

Marios' Got Marital Problems

• Interesting...accent choices here. George doing the classic Fr. Sarducci-esque Italian accented Mario we all knew and loved was an obvious correct choice (even if some of his lines weren't 100% distinguishable).

• Aimee playing her Princess Peach as an Amy Poehler/Rachel Dratch-esque Americanized Jersey Italian stereotype added a new wrinkle that...honestly dovetails well with this sketch. 

• I guess it works because Princess Peach was never portrayed with one specific idiosyncratic accent that Mario fans wouldn't accept her without?

• Hell, Aimees' pretty much doing the exact same voice for Princess Peach that Chris Pratt used to play Mario in those newer Mario movies. Could that alone be at least the partial inspiration for this?

• Anyway, no need to overthink this sketch any further. This sketch worked well as an exploration of what struggles a real Italian working class plumber and his girl friend/spouse would go through in a more real world setting...except, you know funneled through the lens of Mario & Princess Peach.

• This is such an obvious "parallel thinking" type of idea that I'm surprised no one else has done this exact thing before (by which I mean all the other Mario parodies I've ever seen take place in the world if the video game & cartoons rather than "the real world".

• This was very funny but due to its rapid fire pacing and the performers essentially breathlessly shouting their lines over the audience and each other to be heard (maybe it's a sound mixing issue?) so I'll just say I also liked Jacks' ending walk on as Toad and whoever ran in an out in the Yoshi costume gave me a bit of a laugh). B-

Famouz 5

• Yeah, I'm not familiar with the "Famous Five" and have no cultural context for them whatsoever. 

• I do have PLENTY of cultural context for just the concepts of endless IP reboots and rehashes coming out of Hollywood and just how generally irritating it is when any new piece of media is when it's creators just blindly attempt to reach out to the generation after mine with just a casserole of now formerly hip new slang abd buzzwords.

• So yeah, I do get what this was going for...but even if I didn't feel something was missing this would still be an idea I've seen mined to death over and over again so I still wouldn't be into it. The fakes reviews were the only part of this that hit for me...which is very sad. D+

Lost Luggage

• So...this is just another "Jack plays a girls' gay woke best friend" sketch with Aimee in the role that probably would've gone to Annabel on the week there was a male host...but Aimee is trying to blatantly sneak a bomb that actually turns out to be a George Foreman Grill past security?

• Honestly, one could rewatch this sketch to examine how it explores the dynamics of this type of platonic male/female relationship (especially since Jack's character seems to regret coming out to Aimee at the wrong moment) because there seems to be more than one layer to this. Still, the ending reveal is the only thing that came close to working for me. C-

Weekend Update w/Paddy & Ania

• Paddys' Best Jokes: Melania Meets Charles, Clog Dancing, Heroin In Southport

• Anias' Best Jokes: Royal Visit, WHCD Gunman, Nigel Farage

• Oh boy, I don't know about this "professional lip reader" premise. As much as I like getting to see Hammed make his Update debut, the last time I saw an SNL sketch centered around reading famous people's lips was in the infamous Jacob Elordi/Renee Rapp episode from two and a half years ago.

• OK, Hammed is clearly making this work much better than the Elordi sketch and he had the audience on his side...but then again he had a low bar to clear. I did chuckle at the Camilla/Melania and Camilla/Charles portion of this bit.

• Great to see Larry get his first Update commentary as himself. I really like his range and accent work. As an American, I did appreciate his bit on how our northern blue state liberals talk vs how southern red state conservatives talk. I also liked his bits on green party voters and how he deftly avoided falling into the "how do they vote in China?" trap Paddy set up for him.

• I didn't quite get Anias Angela Rayner joke but at least I was able to gather that Ms. Rayner us another English career politician who's blatantly angling to take Keir Starmers' job as Prime Minister.

• I did get a kick out of Paddy shouting at his underground pit of tortured writers as well as how he turned that into a recurring callback to the point that he invited Ania to climb in with him at the end.

• Ayoade played such an Ego Nwodim in season 46 of SNL US coded character here that I kind of wished Paddy hadn't introduced her by her actual name as that kind of took something away from it at first.

• Upon rewatch, I discovered that this works because it's actually just Ayoade genuinely speaking her mind doing a standup like bit from her own personal experience rather than just doing the type of specific niche character piece that Ego would've done. Overall, I'd say it was a very fun bit. B+

Posh Gits

• The title of this sketch alone has me intrigued. I hope it doesn't bear TOO much resemblance to a certain Kroll Show sketch beyond its title.

• Apparently, this is based on an actual British reality show called "Made In Chelsea". Haven't seen that one, but I will say what this reminds me of the most is MADtvs' parody of MTVs' Laguna Beach from 20 years ago.

• This sketch was clearly trying to have some fun with how dumb it was. I will say that Hammed, Jack and Larry pretty much made this for me.

• Hey, look! Paddy and Ania make their live sketch debuts! I mean, they're basically extras, but still. B-

How British Pork Got The Lot

• OK, I know I spoke against either SNL cast just recreating old, obscure viral clips in a previous review and that's part of what this was but I did like this sketch.

• As much as this reminds me of the old Polaner All Fruit/Aspic Beef Jelly bit from Family Guy, I did like that this had the extra layer of "we're going to deconstruct this obscure 1984 British Pork Commercial just to show you how it could look more normal and friendly instead of terrifying".

• Also, as slightly questionable as it seemed at first to see Hammed with pieces of bone sticking out of either side of his nose, I did get a kick out of the insane visuals of the "pork council" scenes.

• Who was that in the bald cap sitting next to Emma? Was that Jack or an extra? I wouldn't put it past them to put Jack in this sketch with no lines since they pretty much just did that to Emma.

• I don't blame George for breaking at all having to deal with Al's director character bringing down the insanity of this premise and also the mistimed camera filter glitch possibly throwing him off. Plus, I have seen George's Instagram post about how he had been obsessed with this ad for years and I assume that he, Al and Hanned may have cowritten this together...so, good for them that they could bond over this and have a sketch labor of love come out of it. B+

Ranking SNL UKs First Series From Best To Worst

1. Jamie Dornan/Wolf Alice (03.28.2026)
2. Nicola Coughlan/Foo Fighters (04.25.2026)
3. Tina Fey/Wet Leg (03.21.2026)
4. Riz Ahmed/Kasabian (04.05.2026)
5. Aimee Lou Wood/Meek (05.02.2026)
6. Jack Whitehall/Jorja Smith (04.11.2026)

Overall Thoughts 

• This was one of the more uneven episodes of SNL UK. I don't quite know what to make of it. On the one hand, the writing and performances were quite strong from all involved. On the other hand, this episode was front loaded with sketches that I wanted to like but couldn't quite get into because they just lacked a certain appeal.

• One thing this episode does have going for it is that the writing made it feel more and more like a uniquely British/European comedy show with it's own identity. SNL UK is continuing to step out of the shadow of SNL US. I mostly say that because there was very little about these sketches that made want to point out a specific SNL US sketch from the past that they reminded me of.

• Really, the only way this episode resembled an SNL US episode is that most of the weaker sketches were up front and most of the more odd niche sketches that I found myself actually liking were buried near the end. Weekend Update was a strong highlight of thus episode though as was MEEK who turned in some strong performances even if her type of music isn't exactly my cup of tea lyrically.

Closing Thoughts 

• Next week, SNL UK will have Ted Lassos' Hannah Waddingham as host. I know she was also in Sex Education with Aimee Lou Wood. I'm not terribly familiar with the rest of her work (which I can also say about much of the previous SNL UK hosts), but she seems to be in good company having worked with this episodes host as well as an alumni of SNL US, so she'll be able to get some good advice on how to succeed on this show even for just a week.

• Speaking of SNL US, my review if their latest Olivia Rodrigo double duty episode is up for all to read. I was fortunate enough to be able to time them so that they could both be published simultaneously. Who knows if I'll be able to pull that off again next week or the week after?

• What I do know is that the next blog I will be working on is a review of the Elliot Page/Wilco episode from SNL US season 33 which I hope to have finished writing by next Wednesday when Deej & I are supposed to be recording a whole new episode of the We Heart Hader podcast on that one. That blog and podcast should be published in two weeks when that podcast episode is released but, boy am I glad to have an extra week to work on that one because it's gonna be a tough one to get through. Hell, that one's probably gonna be one of our shorter podcasts for reasons that will seem obvious by the time it comes out.

• You'll probably be able to read my reviews of next week's SNL US and UK episodes before you get to read or listen to that one, but anyway that's what I'll be working on. See you soon!

SNL UK: Nicola Coughlan/Foo Fighters (04.25.2026)

Who Wants To Remain A Millionaire?

• Huh, is "Millionaire" really this relevant in Britain in 2026? I do remember it at its Y2K era peak here in the states when Regis Philbin hosted it and SNL parodied it with Darrell Hammond in the host's role.

• Even MADtv parodied OG "Millionaire" during that time with sketches like this one which this sketch reminds me of more than anything (even this one from SNL US)

• Al Nashs' Jeremy Clarkson impression is a nice touch here. I had no idea this was Mr. Clarksons' current gig or what that "real farmer" comment was alluding to.

• See, I've only ever known Jeremy Clarkson from his old show "Top Gear" that would sometimes be run on BBC America...so, I've only ever known him to be a fake car guy in addition to being a real ass hole (hey, there's another word you can say on SNL US that you can't say on SNL UK!)

• This was a nice twist on the usual Fouracres/Starmer cold opens they usually do every other episode. I liked that these get increasingly harsher and more pointedly angry toward him and his sheer spineless incompetence each time.

• I also liked how they balanced out the barely concealed anger in this cold open with the sheer silly stupidity of Sir Keir using all of his lifelines on one question and still failing to answer the simplest of questions (especially one concerning whether or not one should ever hire a career politician who was not only friends with Epstein post conviction but also sold him sensitive government secrets).

• I liked the evil, creepy touch Larry's Peter Mandleson impression gave to this as well. It's one of those impressions I can't really gague the accuracy of, but it seemed pretty minimalist and character focused so it just gets the job done. B+

Monologue 

• Aside from the "SNL UK & Ireland/shouting at a female comedian on TV" joke and the other joke about paying homage to the original 70s SNL US by doing staggering amounts of cocaine, I wasn't crazy about the jokes Nicola was given for this monologue. Still, she did all she could to elevate this material.

• Nicolas' brief turn to camera for that brief Jack & Emma gossip reminded me a bit of SNL US monologues I've seen from Anna Faris, Kerry Washington and Margot Robbie.

• Sadly, Jimmy Fallons' cameo added very little of value here and we really could've done without him. 

• I mean, it is nice to see a sprawling backstage monologue on SNL every once in a while and kudos to SNL UK for just having done their first one and showing us around their own London studio a bit more Jimmy has shown he's adept at making these work better than most...but at the same time I feel like Nicola could've handled this one all on her own.

• I guess whenever SNL UK shows us their backstage in the future the extras in Napoleon/beefeater/ABBA costumes will be their equivalent of our backstage llamas, Lincolns and Vegas style showgirls as the go to, clock punch, background gags?

• I did enjoy Nicolas interactions with Paddy, Ania & George (even if it was like the fourth or fifth gratuitous callback to Nicolas' cameos in the first episode).

• Anyway, for all of it's minor flaws, this monologue didn't a fine job of keeping up the energy at the top of the show and making the viewers feel confident that the host would be a strong sketch performer. B-

Yo! Nicola Raps!

• Wow, the fake "Hot Streak" poster in the background. I guess that's six callbacks to the first episode at this point?

• Anyway, yeah...I definitely saw the same parallels between both of Natalie's Raps that everyone else did (including Celeste, George and the writers since they actually called it out mid-sketch).

• Still, I saw more parallels between this Please Don't Destroys' "Three Sad Virgins" (particularly the parts that were just about Dune, the pauses mid-video to explain what isn't working and subsequent attempts to misunderstand and overcorrect).

• I can't say this hold up on rewatch but it was fun at first to see Nicola throw herself into a hard-core gangsta rap about some children's book fairy tale gibberish...but I've seen this trope get pulverized into tge cold, cold ground by way too many different people over the course of the last 25 years in SNL UK and this felt like an even more watered down version of that.

• Plus, Jimmy didn't really need to be here as his part could've been played by any of the male castmembers. C+

What A Life! (Paula From Accounts Has)

• You know, before I actually got to watch any of this episode, I saw some strong buzz online surrounding Nicolas' general performance as host. Some even went so far as to say she should be SNL UKs' first ever five timer. From this sketch alone, I can definitely see why one would say that about her immediately.

• I mean, right out the gate Nicolas' first actual sketch sees her playing much the same gruff, dumpy, slightly socially inappropriate character that previous SNL US Five Timers like Melissa McCarthy and Emma Stone have crushed before (hell, even SNL US two timer Kristen Stewart had a good handle on how to play this type of character in her first try).

• Anyway, I liked seeing Nicola really committed to this character and how she threw herself into it, just straight up barking out all of the deranged and bizarre details of her truly insane life. B+ 

Big Horrid Clump

• Wow, barely two minutes in and Annabel has already entered to slam Emmas face into a table Roadhouse style and call her a bitch. We're off to the races, folks.

• Anyway, I wasn't too crazy about the reveal of what this was going to be premise wise but it picked up some steam  with everyone listing the horrid items in their own clumps (especially Nicola and Ayoade) and really kicked into high gear with the reveal that each clump will gain sentience and come to life, moving on its own the second you even think about the distinct possibility that you may actually need an item from the mass once a now gauzed up Emma bought up the possibility.

• I liked how this took the part of my brain that immediately calls up a previous SNL sketch to compare a current one to from "Closet Organizer? Nah" to "Oh, Big Dumb Hat/Cup" to "Hey, Almost Pizza!"

• By the way, am I the only person who could easily get this sketches' title sung to the tune of Chappel Roans' "Pink Pony Club" stuck in their head? Oh, what's that, reader? You've never even heard that song nor do you know who even sings it? Well, whoop de fuckin' doo, bud. Good for you. C+

QVC: The Jewelry Store

• Huh, is it me or is it a bit of an odd coincidence that SNL UK does a QVC sketch when their biggest sponsor appears to be eBay live? Hell, I'm starting to think that eBay live paid for this particular QVC product placement (just as much as I'm starting to hope none of this show's writers happened to have watched Scary Movie 2 on their week off).

• Anyway, there might not have been much to this at first besides the fact that Emma's character was a hand model/jewelry saleswoman who suddenly grew an Arsenio Hall length right index finger...but what really makes this work is the "show don't tell" mystery & lack of lore to it (especially if you want to distract from how Mikey Day-ish some of the dialogue is).

• For example, Emma's character has absolutely zero explanation for her hand situation besides "it grew" for the right one...and the left one she has no idea what the fucks' going on there because she is just now finding out about it for the first time herself.

• Hell, they even leave the audience guessing as to whether her left hand is a necrotic zombie hand that is just starting to rot off her wrist or if it's...like, a deer or a dog type or LOTR ent type hand? Is Emma about to be arrested by The Dog Police?

• I liked how this ended with Emma literally just passing out but then coming back to strangle Nicola. It's always best to leave your audience wanting a bit more than to try to punch above your weight. B+

Weekend Update w/Paddy & Ania

• Paddys' Best Jokes: Robbins Fired, Condom Shortage, Russell Brand, Jackson Film

• Anias' Best Jokes: Mandelson & Starmer, Tribute To Queen Elizabeth 2, Piers Morgan Interview, Woman Of The Week, Leaving UK, Meghan Retreat

• Anyone else getting heavy Norm MacDonald vibes from a lot of the jokes tonight? Specifically, the Queen Elizabeth/King Charles/Russell Brand/Piers Morgan stuff (not JUST the Michael Jackson biopic/Phone ban stuff or Anias' "Woman Of The Week" and Meghan Markle joke...y'know, the obvious Norm comparisons).

• OK, Anias' Japanese Earthquake joke definitely felt like something Michael Che would tell.

• I think maybe Paddy should back off doing that patented "sheepishly shirking and shying away from the camera" move he does for a bit. He did it after nearly every joke tonight and it really only worked after the BTS runner (which he didn't do tonight). It's not something I want to see myself getting sick of or anything. I hope that's not his ONLY move.

• I wasn't too crazy about Emma's commentary (and not just because she wasn't just doing a Glenn Close impression when Paddy introduced her as "the woman who won't be ignored"). Her character reminded me of the type of aimless, pointless one shot characters Kristen Wiig and Heidi Gardner would do on Update in their heyday (with some of Kate McKinnons' movements worked in for good measure).

• I liked that they finally have Larry his own Update commentary. Part of me was a bit bummed it was at such a blackout length but part of me felt that we didn't need to spend a ton of time on it.

• I didn't think we really needed to see Jimmy here either. Hell, calling ANY SNL US alumni as "Weekend Update legend" is a bit of a stretch in my mind. I will admit I did get a kick out of the Lily Allen jokes and Epstein pronunciations.

• So, now that we know that Paddy does a decent Trump impression...would we be correct to assume that was him who growled "hello?" over the phone in the first ever cold open from Tina's episode?

• All in all, not the best Update for guests or commentaries but this was perhaps Paddy & Anias' strongest showing all season. B-

Landing A Plane

• OK, I know for sure I've seen this exact setup on SNL US numerous times in recent years (and I'm sure Dave Grohl was in one of them)...but it's such a vague, general area of things to write sketches about it could be anything.

• This appears to be poking fun at male ego and bravado which, at this point, I'm positive SNL UK is better equipped to handle.

• George did a great job leading this sketch and yet somehow Hammed had most of the best lines but I did like how Larry was the jumping off point for the mini top gun themed rant 

• Emma played her role well and the whole thing was well acted...but everything about its conclusion (yes, even including Emmas' final speech) felt incredibly telegraphed.

• I feel like we could've lost the Dave Grohl cameo and not have it effect the sketch at all (especially since he had to jog over to the musical guest stage for his second performance...they seem to have had some trouble timing all of those "running off to the next sketch/song performance" moments all night.). B-

Late Girl

• Huh...a live sketch framed as the conclusion to a modern "Cabin In The Woods" type slasher film. This should be interesting.

• OK, now Nicola has entered the scene as the bitchy, self centered, oblivious self victimizing one.

• Yeah, this feels like something I could have seen SNL US pull off but it mostly feels like something that would've better been done in a video from one of those Instagram/TikTok fashion/nostalgia influences. Still, Nicola is elevating this as well she can.

• Jack and Annabel were a bit much here (I've come to realize I like them much better when they're seperated on screen then when they are paired together) but I did like how they eventually dropped their whole "we just survived a bloody massacre that took all our friends" conceit just to be sparky to Nicola.

• I think what actually worked the most for me was Al and Larry suddenly popping up in the end as the crazed killers just to chastise Nicola for being late. C+

Another 45 Seconds With Fouracres 

• Well, I AM glad that this is becoming a recurring segment...but I didn't quite like this as much as the first one...but it might be growing on my after some repeat views

• Still, I'm even more glad that George got much more than this 45 seconds of screen time in the show...and that he appears to be doing well in general. B-

Ranking SNL UKs First Series From Best To Worst

1. Jamie Dornan/Wolf Alice (03.28.2026)
2. Nicola Coughlan/Foo Fighters (04.25.2026)
3. Tina Fey/Wet Leg (03.21.2026)
4. Riz Ahmed/Kasabian (04.05.2026)
5. Jack Whitehall/Jorja Smith (04.11.2026)

Overall Thoughts 

• This one showed a great deal of improvement from the previous episode. As a host, Nicola really yelled with the cast and writers and they really keyed in on her strengths as a comedic performer.

• They also really sharpened up their own writing for the most part in that most if the show's resemblance to its stateside counterpart came from it's choice of musical guest and alumni cameo.

• What few elements in the writing of the sketches that reminded me of previous sketches from SNL US and other shows  actually managed to work in the shows' favor rather than against it.

• As far as cast use, there seems to be more of a focused on George, Emma and Annabel this week. Celeste seems scaled back a bit. She, Al and Ayoade seemed more relegated to support roles. Jack and Hammed seemed a bit scaled back this week.

Closing Thoughts

• The next episode of SNL UK will be airing this weekend and will be hosted by Aimee Lou Wood. From what I've seen of her, she seems like she has enough comedic experience to do well on this show. 

• She's previously had some choice words about Sarah Shermans' portrayal of her White Lotus character on SNL US. I'm glad those two have worked it out amongst themselves personally.

• While I am still a bit annoyed myself that the online promos for this SNL UK episode have indeed referenced it...they did so in a way I actually found funny and I hope that they just...leave it at that.

• Also, this same weekend SNL US will return to our airwaves to enter it's home stretch of the season with an new double duty episode with host (and musical guest) Olivia Rodrigo. You'll probably get to read my review of that one before you read my SNL UK Aimee Lou Wood review, but see you then!

SNL UK: Jack Whitehall/Jorja Smith (04.11.2026)

Melania: Truth Or Dare

• Well, up until now SNL UK has only done it's topical cold opens directly about and depicting its own countries heads of state and pop cultural figures. It took them until their fourth episode to do a whole cold open where any member of the Trump family is depicted. By any modern SNL standards, home or abroad, this shows a great deal of restraint.

• It's a bit of a relief that the Trump they chose to depict as a character was Melania, but I'm a bit torn on this one. While I liked this sketch conceptually better than how SNL US chose to address the real Melanias' sudden press conference denouncing Epstein out of nowhere, I have to say I liked Chloe Finemans' impression better than Emma Sidis'.

• I mean, I can definitely see why the SNL UK writers and producers would give this impression to Emma. Out of all the women on this show, she is the one that always mugs the hardest for the camera and always makes the strongest and boldest choices with whatever accent she happens to be doing but still...something about Emmas' Melania Trump impression felt a bit "off" to me (and when I find myself comparing Chloe Fineman favorably to someone else, something may be seriously wrong).

• I will admit I did like Emma's forceful "charades" and "truth or dare/how DARE you accuse me.." bits but aside from that it felt like another well worn SNL US template filled in with a few odd disconnected and irrelevant British references to make up for the fact that this British sketch show has chosen to center its cold open around the American first lady.

• Of course, the well worn SNL US tropes I am referring to are "well known political figure suddenly barges in uninvited to some normal everyday people's hangout to everyone's confusion" which was has frequently been a staple of James Austin Johnsons' Donald Trump cold opens (especially this recent one) and can also be seen here and here.

• Plus, that brief reference to Ye getting booted from the wireless festival felt like something SNL US would've done back in 2017 (or something SNL UK just did do when Tina referenced the recent BAFTA scandal).

• Well, at least this cold open wassl much shorter and more tightened up than most SNL US cold opens as of late (in spite of feeling a little bit rushed and over truncated). C+

Monologue

• Well, I unironically appreciate Jacks' rip roaring enthusiasm for this shows' mere existence right off the bat and I genuinely like his shots fired at Love Island up top.

• Other than that, I'm just getting heavy "British John Mulaney" vibes from this dude (and that's probably because all his marriage/fiance talk reminds me quite a bit of Mulaneys' early stuff and their styles of slight self depreciation are a bit similar).

• His delivery (and absolutely NOTHING else about him) reminds me of another heavily, heavily watered down James Acaster (and that may be because he and Jack are probably the only up and coming British comedians I know of outside of...well, this show's cast).

• Still, I was expecting a bit of a "here's some stuff from my own standup act" type monologue" tonight and I'd say I enjoyed it. I'd hesitate to outright call him a hack but he's not exactly reinventing the wheel here either. This isn't the most inventive standup ever or anything but it's...palatable. C+

Gary Thomas Gets A Series Of Bigger And Bigger Shocks

• Hmm...going into this I had a feeling that this had to be based on some specific video (thanks to a certain someone in a certain Discord server for digging it up and sharing it with the rest of us) and this does work a little better for me with the full context behind it.

• So, I guess this takes the fairly recent SNL US trope of doing near shot for shot remakes of some old music video or piece of obscure viral footage that someone in the cast or writing staff was obsessed with or fixated on that week (as can be seen here, here, here and also here) and just mixed THAT with something uniquely British? Already I have some mixed feelings about it.

• At first, I was wondering why they essentially put Ayoade Bambogye in a bald cap and drag to have HER play the role of Ian Wright until I saw that they were basically just having Hammed Animashaun come in at some point to play Garys' dad (who might have been my favorite character in this piece and I loved that Hammed chose to play him as a secret Lenny Henry Fred Dred style Jamacian accented rasta).

• I did like how every character in this had an increasingly different and deranged backstory to the point where Jack's character was a jogger he hit but somehow didn't kill one night.

• Oh, come on. Really? A professional TV show still doing Harambe jokes in 2026? A whole damn decade too late? And with the cheapest, crappiest gooniest looking gorilla costume they could afford?

• Jesus Christ, wasn't two portrayals of Dobby the House Elf in one season of SNL US more than enough? Ah, I suppose the British show does have some sort of home field advantage here so I can let it slide just once more.

• I wasn't crazy about this sketch. It was fine. I just really didn't like the way it ended.

• Actually, the more I sit with this the more it reminds me of some early-to-mid period Lonely Island Digital Shorts since this also essentially takes one recurring gag and memes it to death. It was interesting to see SNL UK attempt something in that vein, but this wasn't as good. It felt too much like it was made specifically for a British audience to really work like that. C+

Soccer Kid Swap

• Speaking of things that felt like they were written specifically for a British audience only where Ayoade Bambogye apparently plays a male soccer player...

• So, this is an actual thing? British soccer...er, sorry "football" players actually walk out onto the field with random children as their unofficial "mascots"? And these kids are contest winners and it's not a part of their "Make A Wish" equivalent or anything but more like their equivalent of throwing out a ceremonial first pitch at a World Series game? Also, why did Jack deliver his lines in a Mario like Italian accent?

• Yeah, sorry, I wanted to like this sketch more and feel like I got the basic underlying gag to it...but there was just too much to parse out if you don't follow British sports. Still, I can tell Jack and the cast were giving it their all. C+

Mastermind

• Ah, yes. No well known English sketch comedy show worth their salt can ever get away with NOT doing a Mastermind parody. It really is like a legal rite of passage over there.

• I absolutely loved how this was executed. They established a universally relatable concept and immediately follow it up with a string of silly nonsequitirs. 

• Who amongst us hasn't their own mother talk their early off unwillingly at some point about the regulars in their neighborhood and distant relatives THEY interact with in their own lives but WE don't?

• This is the type of basic sketch premises that could just as easily have been done on SNL US as SNL UK (in fact, I think SNL US may have already done something like this)

• The only part that didn't land with me was Hammeds' opening line saying he was good enough to host quiz shows but this other British TV presenter "couldn't read the news"? 

• I'm guessing Hammed was impersonating a man who either started out as a TV news anchor and later in his career moved on to hosting Mastermind or is currently still doing both gigs? Was this a subtle dig at the lack of, um...racial diversity among British TV presenters or are the only two black hosts on British television currently feuding with each other?

• Oh well. I did get a kick out of Hammeds last question being interrupted by the buzzer leading him to remark "I've started, so I'll finish" as well as Jacks' sideways glance when Hammed remarked "that's why you should always listen to mommy".

• I was wondering who those two extras were next to Jack and Celeste but they ended up being very inconsequential to this sketch as it cut itself off just as Celeste delivered what would be her only lines in the whole thing (it may have been a real non-ending but at least it didn't go on too long).

• I got a kick out if the guy with the bad hair transplant Jack's mom talked about being one of the contestants although if he even had one line, why not give even that to Al or any other male castmember? Oh well. Still a fun sketch. B-

DadSwap

• While I did get a kick out of Larry responding to Als' art school announcement with "what's that got to do with WWII?" I thought this pretape wasn't gonna have legs at first.

• The visuals of Jack and Hammed in their own little punk rock band were funny.

• Once Jack mentioned his own real dad struggling with his sexuality, I could immediately tell where this was going.

• Thankfully, this turned out to be more thoughtful and nuanced than I was expecting as they had George there to explore this premise by weighing its pros and cons and ruminating on the logistics and full consequences of what what he hath wrought on the world and attempt to completely wash his hands of it in real time as this unfolded.

• The parts of George's performance I liked the most were probably his increasingly frustrated "yeah, i know" responses to everyone pointing out how falling in love with their new swapped "dads" isn't illegal and his explaining to Celeste that using the app to get a guy her own age is just her getting a boyfriend and not a "dad."

• Speaking of the women in this cast, that WAS Annabel as the one who fell in love with her new "girl dad", right? The fact that they put whoever it really is in a wig that looks a lot like Emma's real hair threw me for a loop (and just when I thought I was able to tell those two apart from each other, too). Oh well, I didn't let that affect my enjoyment of this pretape that much. B+

Masters

• So, this one's just "what if Greenhilly or The Vogelchecks took place on a golf course with some millenial/Gen Z cringe mixed in" huh? Well, I didn't totally hate it.

• Yeah, with all the quick pecks on the mouth from the start this definitely reminded me more of a subtler, more tasteful and more gracefully presented version of The Vogelcgecks than Greenhilly upon rewatch.

• At least this moved on fairly quickly from just closed mouth kissing to everyone starting a polycule. The addition of Hammeds' delivery man at that point was a funny enough wrinkle (especially when the others kicked out Jack's character in favor of him).

• Jack's character deciding to get into a relationship with Als' caddy was pretty much the only logical way they could've ended this, so that's some solid sketch writing there. 

• The ending with Jack & George felt a little too telegraphed for my taste, but they made the most of it (especially with that line about not being invited to the upcoming Saudi Arabia).

• Well, I was pretty ambivalent toward that sketch but I have to say it came across as fairly socially progressive and modern minded. Too bad it wasn't particularly funny. C+

Weekend Update w/Paddy & Ania

• Paddys' Best Jokes: Peter Mandleson, Planter, Chico In Court, Ferry Cuts

• Anias' Best Jokes: Kier Starmer In Saudi Arabia, Moon Mission, AI Fat Tool, Shroud Of Turin

• Al & Celestes' horse & jockey commentary may have been the funniest moment of the show for me. It's nice to see this show try out some new pairings with its cast and have them play off each other with expert chemistry.

• I love how Paddy not only bought back his BTS runner this week but also upped the ante with it by delivering most of it in Korean.

• Not sure what to make of Jack & Annabels' Gen Z commentary. I mean, I liked the sound effects and impressions they did, but that was about it. The rest of it felt like they dug up some old Twitter meme from about 2019 or so and turned it into an Update commentary. I did get a kick out of the sudden cut to Paddys' confused expression when Jack called him a "rude old bitch".

• It reminded me a bit too much of the type of overly hammy Update pieces Bowen Yang and Sarah Sherman would do together on SNL US until Bowen left (and considering the first one of those that I thought of was this one which I pretty much panned in my review of it...I think the less said about this, the better). C+

Drunk Peter Pan

• Hey, another Al & Celeste pairing! Even as the straight men of the sketch, I liked getting to see this again so soon.

• Any other MSTies out there who've watched certain parts of season 13 getting heavy Emily Marsh vibes from Celeste in that wig?

• This may have actually been my favorite sketch of the night. My biggest laugh came from how blatantly visible Jacks' wires were and how they were just in service of smashing him into candy glass and breakaway furniture.

• Some of Jack's casual insults to Als' character were pretty funny too like "absolute mood hoover" and "shut your mouth, you piece of virgin" as well as his whole rant about all the different ways "Neverland sucks now".

• I wasn't too crazy about the ending though. Once Al's character said something about how "we've all got weird exes" I was expecting a reveal that his "weird ex" was Tinkerbell or something more creative than just "everyone suddenly comes around on the idea of a three-way".

• Still, even this was a bit more entertaining than the few "drunk and/or depressed jilted Peter Pan or Tonkerbell Tinkerbell barges into Wendy Darlings' house and behaves inappropriately" sketches that SNL US has done with the likes of Ed Asner, Claire Daines, Jim Parsons or even Robert Deniro". B-

Falling Down A Hill w/Helen Birch

• This was a fun, near black out length piece of condensed quiet physical comedy. It reminded me quite a bit of Phil Hartmans' "Robot Repair" from SNL US. 

• I'm not quite sure if Celeste is impersonating the actual UK artist & author Helen Birch but if she is, this would be a very sympathetic and understanding portrayal of her....if she actually did fall down a hill while filming her own British TV show. B+

Robert & Judith & Henry & Ethel

• Hmm...Jack Shep as an Ed Wynn-esque 1930s flapper drag queen seems like it's going to be a bit much. This also feels like the type of hammy Bowen Yang centric sketch that I didn't care much for (mainly because I'm not the target audience for).

• Still, as literally cartoonish and purposely stereotypical as this seems, I can appreciate the way he's absolutely throwing himself into this character. I did like him saying he slept in a graveyard and his shoes were filled with blood and the sheer boldness of his line about "stepping quickly into each other's holes".

• The twist with Celeste actually taking a liking to Sheps' character felt a little predictable but I liked how she made her slapsticky entrance hitting Jack with the door causing his cake to go slightly into his face.

• I liked Emma's character as well because she's the only one who made this over-the-top, transatlantic accented, old timey style of acting work for her and not add to the sheer sensory overload of this sketch. Plus, her being in the same sketch as Annabel made me realize that it WAS Annabel in DadSwap and that I CAN still tell the two of them apart. C+

Ranking SNL UKs First Series From Best To Worst

1. Jamie Dornan/Wolf Alice (03.28.2026)
2. Tina Fey/Wet Leg (03.21.2026)
3. Riz Ahmed/Kasabian (04.05.2026)
4. Jack Whitehall/Jorja Smith (04.11.2026)

Overall Thoughts

• Well, as much as I hate to say it...this might have been the weakest of SNL UKs' initial run so far (it still easily wipes the floor with the episode of SNL US that aired mere hours after it, but that goes without saying).

• It might be due to the fact that this is the fourth of four episodes in a row (it's rare SNL US does that many in a row but these kids are just starting out) but this felt like the most wildly uneven episode of SNL UK yet to me.

• Writing wise, the show has made great progress in maintaining its unique British identity which I appreciate seeing (even if it comes at the slight cost of making some sketches feel that much less accessible to an American audience)

• Unfortunately, the portions of this episode that DID feel accessible to me as an American viewer were just the basic tropes and elements that I could distinctly trace back to what I have seen numerous times on SNL US (which this episode of SNL UK had the most of out of any of them so far).

• One thing I did like about this episode is that they gave a lot more screen time to Celeste Dring (who I felt has been a bit underused to this point and has the previous sketch experience with her group "Lazy Susan" to have earned some of her own showcases on this show).

• They seem to not only continue to be pushing Jack Shep as the star for viral clicks but also pushing Jack and Annabel together as a duo in a way I find a little obnoxious.

• They also seem to have pulled back on George Fouracres a bit but I have heard one of his close friends has died within the past week or so so that might have been his choice and if so, it's conmendable he even showed up at all. 

Closing Thoughts

• This coming weekend, SNL UK will return with a new episode hosted by Nicola Coughlan and musical guests The Foo Fighters.

• I liked what Nicola bought to Tina's episode so I'm glad they got her back as an actual host so quickly. 

• Although I'd much rather discover a new British act I've never heard before, good on SNL UK for now having had both a well known American host AND a well known American musical guest!

• Hopefully, I'll have the time and energy to get my review of that one out sooner rather than later so you can all read it in a timely fashion but you'll probably see my review of the Tina Fey/Carrie Underwood SNL US episode from 2007 well before then. See you again real soon!