SNL UK: Tina Fey/Wet Leg (04.21.2026)

Starmer Calls Trump

• Wow, I see we're already keeping one of SNL US' on and off traditions of starting off cold opens with unnecessary thunderous applause for no reason whatsoever. It's OK. I don't really have a problem with it here. I'm just pleased this show is going to have a hot crowd on its live debut. The audience reception may make or break this show.

• Already I'm getting slight Kenny Everett vibes from George Fouracres performance as prime minister Keir Starmer (or maybe it's just the Gizzard Puke-like voice he's using?). The sketch itself is giving me a slight mix of "Spitting Image" and "This Hour Has 22 Minutes" vibes (this does remind me of the first Mark McKinney/Mark Carney sketch I saw them do)...which is nice. It's already set itself apart from SNL US a bit for me.

• As soon as George uttered that "I can change him" line, I knew this was headed in a direction I was going to like. Sure, it's pretty much the inverse of this sketch ftom SNL US and a bit reminiscent of a lot of SNL USs' hacky ass "lol Trump & Putin are gay boyfriends with each other" jokes from 2016/17 and it's portraying Trump as the dominant one in the "situationship" but it's still in service of a UK sketch comedy show just straight up calling their country's leader a spineless worm who can't stand up to Trump on his own in a way that's much more pointed and direct than the cutesy bucket of buzzword salad crap in SNL US cold opens that they try to pass off as political satire nowadays.

• I wasn't crazy about Jack Sheps' stereotypical GenZ character (hell, hearing the word "throuple" still makes me want to "throw upple") but at least he served and he tied this sketch together somewhat. I did like the subtle meta dig at "embracing America's unproblematic culture" just before they did the first ever utterance of "Live From London..." B-

Monologue 

• I do like how the opening montage, theme music and set design make this feel like a new, seperate from SNL British comedy show (at least cosmetically). Hell, this shows' theme music sounds like something you'd hear snippets of coming in and out of commercial breaks during a typical episode of SNL US.

• Tina was a welcoming and friendly presence. She did a fine job of delivering a rare non-promotional host monologue fir which the sole purpose was just laying the groundwork for what this shows' basic format would be for those UK viewers unfamiliar with SNL US. I did like her line "one boy is either Scottish or choking".

• Still, her portions of this monologue felt like any typical SNL US monologue from the past 15 years or so. In fact, with all the additional cameos it specifically feels like a much less insulting and much more ingratiating version of the same monologue she did in May 2018 for the SNL US season 43 finale with a little bit of her season 33 monologue from February 2008 thrown in (the first and last time she actually hosted the show on her own side of the pond). 

• I could've done without Michael Ceras' bit but I was just as pleasantly surprised with SNL UKs' ability to drop some unpleeped F-bombs on live TV as he seemed to be.

• Nicola Coughlan was by far the strongest part of this monologue. She sold the subtle passive aggressive bitchiness of her part well enough that I would also like to see her host one of the remaining 7 episodes of this series (hopefully, this gets renewed past its initial 8 episode order and she gets more chances). Hell, her Shrek joke makes me wonder how Mike Meyers himself would do as a potential host of this show?

• Man, I haven't seen Graham Norton on my TV since Comedy Central aired some version of his talk show here in the US 22 years ago but he did a great job of bringing this to a satisfying conclusion. I definitely chuckled at the "auto glass/safelite" jingle at the end. B-

Underáge by Pedólay

• Wow, bold choice for this shows' first fake commercial pretape. 

• It certainly displays a sharp edge that SNL US has been lacking for quite some time (or maybe it just appears that way because certain segments of the UK are much vocally and virulently against pedophiles than we are in the US...in spite of how we're all just finding out about how they've been covering for some of their own big ones for decades).

• Still, for the punch this packed, it could've been tightened up a bit (especially for a pretape so it doesn't hit too many unnecessary beats after the big reveal of its basic joke).

• Was that Paddy as Celestes' husband? Was this his only non-Update sketch appearance in the whole show?

• Hammed as the aggressive cop was funny and one line I liked was "my husband lost his recording contract and some, but not all, of his fans". 

• I did think the interrogation scene at the very end was a nice touch as well.

• The more I watch and sit with this, the more it feels like the type of pretape we would get in SNL around 2017/18 that would be left by Cecily Strong, Aidy Bryant and Kate McKinnon...but this felt a bit fresher and more bold. C+

David Attenboroughs' Last Supper

• Even though this is a well worn premise I know I have seen SNL US pull off many times before (see "When Great Minds Meet" in 1988, "Historys' Greatest Overthinkers in 1993, Rachel Dratch as James Madison on Weekend Update in 2000) I was delighted by the execution of this one. 

• George Fouracres portrayal of Sir David Attenborough was a great centerpiece of this sketch (even if the voice he used sounded a lot like his Keir Starmer except raspier and less congested). George had the best lines and is quickly emerging as one of the early standout performers in this cast.

• I'll admit there were about four portrayals of figures from British history I didn't recognize but that didn't really hamper my viewing experience (maybe reading Beardie Vikings' review whenever he posts it to his blog will help me fill in a few gaps).

• Even Jack Sheps' Princess Diana was done tastefully and Tinas' Agatha Christie wasn't too over the top. It was neat to see Paul and Jack come close to breaking. B-

Hot Streak

• OK, Hammed is emerging as the second standout performer of this cast. The way he asked Tina and Jacks' actor characters why their movie fucking sucked so bad and forcefully criticized them right after a Fallon-like heaping of praise on their characters had me falling out laughing. 

• I also loved how seamlessly this transition into a poignant commentary on the modern human condition. 

• Definitely one of the high points of this premiere episode. I even got a kick out of Hammeds' character being named "Ed Boovies" just so the title of the fake show within a show could be "Boovies Goes To The Films" A-

The Budger

• While I feel this could've gone a bit harder in the paint on the basic premise of "how to make the average person's internet experience worse" and still have given off "relatable" vibes, I still enjoyed how it captured the banality of those small annoyances around modern smartphone and PC web browsing (even if they skipped over some of the dangerous misinformation and bigotry you can easily encounter online from time to time).

• I appreciate the specificity in the writing as well as the "spy junk tech thriller" style in which this was filmed. Those aspects of this piece combined with the fact that I was watching an Emglish language foreign sketch comedy program really gave me "Baroness Von Sketch Show" vibes.

• It's a shame they didn't introduce us to the person in charge of pushing those little tutorial pop ups in various smart phone apps that come up whenever you get a new smartphone and open up your same old apps in it to point out various features in said apps like you didn't already know how to use them or the person in charge of making wireless bluetooth earbuds glitch out whenever you're actively listening to something on your phone through them because I'd really like to meet that person and have a chat with those specific people sometime soon.

• I liked the subtle visuals of guys casually sipping from whole containers worth of coffee and pouring entire containers of sugar in their coffee without looking away from their screens. However, I think Larry Deans' "X-man" interview could've been rewritten so that fast paced dialogue is missed over audience applause.

• While I feel they could've tightened up the suspenseful "budge" segment at the end, I liked the tense drama behind it. Speaking of, was that Ania as the woman scrolling through her phone on the couch? It didn't quite look like any of the other women. 

• I especially liked the "do you get paid for your job?" back and forth between Hammed and the unseen interviewer. B-

Ultrasound

• Wow, two segments in a row that give off slight BVSS vibes! This shows' really got something.

• I say BVSS vibes because this also had a very specific, very modern "relatable" idea behind its writing...but it was VERY much executed in the style of most modern SNL US live sketches very much to its detriment. 

• In fact, I would venture a guess that Tina heavily punched up this script at some point after read through because it largely seems to be in her voice (especially her opening rant about how her kids are mean to her).

• Yeah, this is something I could definitely see being done on modern SNL with the fetus being played by either Bowen Yang, Sarah Sherman or Marcello Hernandez. Mikey Day and Chloe Fineman would definitely be the parents as they're the best at overexplaining what someone is doing out of anyone in the current SNL US cast.

• Hmm, in fact...I think I may have ALREADY seen how modern SNL would have executed this sketch since it remind me a lot of this one...and this one...and this one (which seems to share a similarly odd idea of what the inside of a womans' damn womb looks like). Hell, Jacks dancing as the fetus reminded me of this in a good way.

• I don't mean to knock this sketch entirely or accuse the show of plagiarism (hell, it's certainly not an "adaptation" of anything). I was just saying that...I didn't know if this sketch worked for me personally at first but it grew on me after a couple rewatches.

• I did like Celestes' line "I'm not a doctor. I'm just a stupid rocket scientist." I'm not that surprised at Tinas' "pop that puss" line because I believe it's possible that SNL US could've also gotten that on the air. Hell, I even liked how Tina transitioned out of this sketch into introducing Wet Legs' first performance right after the type of ending that SNL US has been doing increasingly for every fourth or fifth sketch since Covid. C+

Weekend Update w/Paddy & Ania

• Anias' Best Jokes: Starmer U-Turn, Prince Andrew Moves

• Paddys' Best Jokes: Dubai Under Fire, Nato Holds Back, Helium Shortages, Andrew In Prison, BTS On Tour

• Damn, this version of Update has the flashiest set for any comedy news segment I've seen since The Daily Show!

• Even though Paddy had more of the jokes that really hit for me, I still really like Anias' presence as his co-anchor. I mean, DAMN, she's the one that took (the former) Prince Andrew straight to the fuckin' woodchipper!

• I liked how sharp and edgy tge writing behind these Update jokes were with out the edginess feeling too forced. 

• Maybe I can see some of these same jokes being delivered by Jost & Che here in the states but they still sound classier and pack more of a wallop when delivered not just in a British accent but by a fresh new pair of comics who actually have some spark and life in their eyes.

• Yeah, I gotta say I'd DEFINITELY take Paddy & Ania over Jost & Che at this point.

• Al Nash as Capt. Birdseye definitely seems like the type of correspondent desk piece that would've been done by Andy Samberg or Bobby Moynihan during Seth Meyers solo run as Update anchor on SNL US but a lot shorter and with a sudden reveal of a darker twist at the end. Still, there was great fun to be had there. B+

A Changed William Shakespeare 

• Hey, we finally get to see George again...AND he's doing a different voice!

• Tinas' got just enough acting chops to pull off the "forlorn, neglected wife" part here.

• Wow. Never thought I'd hear the phrase "cunty little earring" go out uncensored on the airwaves of any version if SNL.

• I got a kick out of the way George delivered the lines "Methinks I might write another one of these...PLAAAAAAAYYYSS" and "I must to London. My next staging awaits. Henry The Fourth Part II: Henry The FIIIIIIIFFFTHHH!"

• Yeeeeaaaaahhhh, this is starting to feel like a sketch SNL US would do with Jason Momoa as host (specifically "The Ghost Of Christmas Extra" if anyone remembers that one from 2018 because it ain't on YouTube).

• Well, I will admit that just straight up replacing George with Jack in the middle of the sketch is an interesting tactic that I'm sure SNL wouldn't do if they were executing this sketch...but they would certainly have him talking like a contestant on RuPauls' Drag Race if they could. No doubt about that.

• I'll also admit that Jack had a few bits and lines I did like (riding in on a Bird Scooter, Stratford-upon-Avon/London-upon-Ketamine, "Charli Ten 100 Ten", unintentionally stumbling over the phrase "glow up era", "'Tis but a K-hole") but not everything he added to this sketch made the rushed as hell ending that much better.

• Wow, we get TWO utterances of the word "cunty" along with a vague, empty, evdn more confusing explanation of why some can say it and others still can't followed by a sudden dance off to a 15 year old Rhianna song complete with a Charli XCX lookalike and some drag queens? What God did we please?

• Yeah, this sketch really cemented in my mind that Jack Shep is going to be the Bowen Yang/Marcello Hernandez of this show. I don't mean that as a criticism of his actual performances but rather as a commentary on what roles he's given and what spot he fills on the show.

• Jack Shep seems to be the youngest person in this cast by far so he easily fits the Marcello/Pete Davidson/Samberg/Fallon archetype of "guy who's strictly for the young audience to fawn over and will probably annoy the hell out if any viewer over the age of 40". He'll be the one the show leans on for viral buzz moments to draw the teens and early twenty somethings in from social media.

• He also gives off Bowen vibes because so far he's...well, I'll just say he's been the one giving us all of what I like to call the "campy" performances and leave it at that.

• Hey, it's not my place to speculate on anyone's personal life. I'll just say that. 

• Also, before actually watching this episode I had seen the minor spoiler that there was some honest to God audience booing in the show that I didn't actually catch with my ears or hear during the show. I'm going to assume it was at this sketch just because this really is the only sketch I can even imagine one person legitimately booing at. C+

Live Paddington Bear Experience 

• Hey, there's Ania again as the mother of three. I for sure recognize her. So, I guess she and Paddy are mostly going to appear in pretapes outside of Update.

• At first, I was expecting this to be a Bill Burr type thing where we keep cutting back to Annabels' Bachelorette Party just because that's how bad SNL US has brainwashed me.

• I was pleasantly surprised to see that this was another gore pretape where the gore effects were played subtly and with sheer obliviousness to a collective trauma rather than for cheap, tired obvious shock value. I guess I just broke the SNL US conditioning.

• I'm glad to see this more resembled a grittier "Happy Fun Ball" than Sarah Squirms' takes on "A Christmas Carol" and "Scooby Doo".

• Tina was great in the mockumentary portion as the dim, callous producer. All the other post interviews were great (especially Hammed, Larry and Ania).

• I also got a kick out if Al as the bored janitor casually tossing a severed foor in a trash can. 

• Even this would've been a couple years too late for a timely parody, this HAD to ge a parody of the Glasgow Willy Wonka Experience, right? A-

Bra Fitting

• Hmm, I guess this sketch presupposes that all women (especially British ones) are just as insecure about their breast/bra/cup sizes as all men are about their penis sizes? 

• From the way it was written and the specific British slang used, it took me about two thirds of the way into this to surmise that this is where it was going. 

• Still, as strange as this was to parse, I liked Emma's performance. She really made this work. 

• I get the sense that some of this show's writers must've been 30 Rock fans if they get that show over there since they were obviously keen on having Tina play another pathetic Liz Lemon type character.

• Hey, there's a reference to the MBJ/Lindo BAFTAS/Tourettes incident! I wondered if it would be really necessary for SNL UK to reference it this far after the fact but the audience seemed to like it.

• The Regé-Jean Page cameo felt a little forced but if this audience needed another Britush celeb cameo to keep them interested this close to the end of the show, I can put up with it. C+

45 Seconds With Fouracres

• Hey, nice to close out the show with the exact type of goofy nonsense you might expect to find on something like "Fast Show" or "Codco" or something more obscure and British of that ilk that you could only see on Sunday nights on the That Week In SNL Twitch stream!

• It's also nice to see a personal showcase from one of the early standout performers on this show. I'm calling it George Fouracres is gonna be the JAJ of SNL UK. 

• The second Nicola Coughlan cameo was a nice touch. I wonder if they truly followed SNL US tradition and wrote the hosts monologue much later in the week than the rest of the show and this is what they originally asked Nicola Coughlan to cameo in and then figured "well, as long as we got her here..." A-

Overall Thoughts

• Wow, I must say I was quite impressed by this whole show. I didn't quite know what to expect but what I got was a strong debut!

• Sure, I noticed some structural parallels between SNL UK and SNL US in the sketch writing department (with as much SNL US as I have seen in my lifetime it's pretty hard not to) but for the most part I was pleasantly surprised by how this show managed to retain so much of a uniquely British identity and sense of humor in its presentation as to make it into what I like to call "SNLINO" (or "Saturday Night Live In Name Only")

• Yes, there was enough sharp and pointed sketch writing here to make this a welcome breath of fresh air from modern SNL US in 2026 (especially after the dull as dishwater Harry Styles episode...funny how easily a British SNL episode with an American host just so easily trounces an American SNL episode with a British host).

• One thing I really liked about this episode is how it immediately drew me in much more than a lot of recent SNL US as of late. You can tell by the way this review doesn't start off with a series of Mikey Day-esque immediate hot take reactions of me describing what I am seeing in the moment. This is partly because I wanted to take it all in the first time I saw it and see if any possible format deviations had an effrct on the show as well. 

• The first time I watched it (out of several) I didn't once feel the urge to divert my attention from a screen just to take notes on a sketch as it was playing. The closest I came to actually doing this was during the "Hot Streak" sketch just Google the names of Tina & Jacks' characters to see if they were impersonating real people (they weren't) and I consider this a marked improvement of SNL UK over SNL US.

• As far as cast usage goes, it looks like George, Jack and Hammed dominated the night with some small assists from Al, Celeste and Emma. Hopefully, Arcade, Larry and Annabel will get to do more in the coming weeks.

Closing Thoughts 

• Next week, SNL US will still be in reruns while SNL UK gives us another brand new episode with Christian Grey himself, Jamie Dornan as host. I don't know what kind if comedic chops Mr. Dornan actually has but with a non American/non SNL US alumni as host, I do look forward to seeing how SNL UK further breaks out if the shadow of SNL US and further establishes its own British identity.

• I plan to review that one as well but before I do I urge you all to check out the review of the Brian Williams/Feist episode from SNL US season 33 that I will post this weekend as soon as the new episode of the We Heart Hader Podcast hits your preferred podcast portal and you can listen to Deej and I review that episode rather than just reading my review alone.

• Hopefully, that episode isn't going to be delayed due to any technical or production issues that came up on my end when we tried to record it. After that, we'll be working on a review of the Documentary Now! episode "The Eye Doesn't Lie" (a spoof of "The Thin Blue Line".

• See you then!

Harry Styles (03.14.2026)

Gas Prices

• Huh...a generic family road trip cold open set at a gas station? This could be interesting.

• God, I can't even remember the last time a cold open began with random unwarranted applause for no reason? Can you?

• I got a kick out of Ashleys' "we're gonna have to leave one of you behind" line.

• Well, at least this is a nice departure from the typical Trump/Hegseth cold opens we've been getting lately...AW FUCK, we're back to THESE again. Boy, the writers must've been gassed out on political stuff this week.

• Well, I got a kick out of JAJs' Troy McClure reference and his jabs at Harry and 1Ds' musical catalog, but wow...I'm surprised they cheered at that and booed more at the Timothee Chalamet/ballet jab.

• I wasn't even into the meta background cast gags in this one.

• ...and just when even I was starting to get sick of Josts' Hegseth they find an admittedly fun way to Trojan horse him in to this one. I don't know what it says about this cold open that one of my favorite lines was "as I live and struggle to breathe" though. Nothing good, right?

• This wasn't some of Josts' best work (even he seemed a bit gassed out on doing these as he wasn't exactly disappearing into character here) but I did chuckle at the "DUI checkpoint/close your eyes and gun it" joke. C-

Monologue

• ...and there's Harrys' trademark sleepy ass energy that plagued his last episode.

• I mean, I liked that sudden "you don't know everything about me, dad!" line.

• Hey, he admitted to talking slowly and being just straight up boring. At least he's self aware to some degree.

• Boy, that "Italian GPT/Mario" joke couldn't be saved no matter who delivered it the way Harry did.

• Hmm...not quite sure what he was going for with that Prince Andrew joke but his delivery didn't help that one either.

• I liked Chloe and (especially) Sarah's walk ons but Bens' bought this to a screeching halt for me.

• At least the crowd was hyped. That must've been Lorne and the shows' main concern for this week.

• God, I sure hope the rest of this episode is much less of a slog. D-

New Jersey V. Donovan

• Marcello Hernandez IS Sebastian Maniscalco IN "Sebastian Maniscalco, Defense Attorney". That's it.

• Well, I suppose this isn't the worst possible choice for first post monologue sketch. I actually didn't mind the one from Glenn Powells' episode in November. I wouldn't say this one is the better of the two necessarily but it might be the thing I like most in THIS episode so far.

• I liked Chloes' courtroom sketch of him and I liked how Marcello is throwing himself much more into this physically (not crazy about him breaking though)

• Harry Styles attempt at a Maniscalco impression was just...odd and not a great ending to this. B-

MAHAspital

• This seemed like too much of an abstract concept rather than a fully fledged sketch. I felt like I was watching a sketch literally decide as it went along that it wanted more to be a RFK/MAHA commentary than a parody of "The Pitt" (maybe that's why it went on so long).

• I don't know if it was the right choice to have Ben featured so prominently in this (he...probably wrote a great deal of this, didn't he?) but I did chuckle at his line about shooting his parents after finding out they got the Covid vaccine, pulling the plug on that old woman after finding out she was a vegan and the Tylenol gag.

• I also liked the line "From The Facebook Group 'Beach Moms Against Vaccine Tyranny" and Kams' reaction to getting that weird infrared heat mask put on him so suddenly.

• Ashley seems to be making some very specific character choices in this. Is she supposed to be doing an impression of a specific "Pitt" cast member? They put more makeup and prosthetics on her than I'm used to seeing on Ashley in any role so this must be a specific impression.

• JAJ as RFK Jr is something that I could see seeming like a good idea on paper and it mostly worked in execution...but it also proved to be something that only works with the exact right angle. 

• Hell, as adept at impressions as he is even JAJ seemed like he was still figuring out the voice. He was almost there. He just needed to make it a lost raspier.

• I'll just say Iiked JAJ as RFK just fine...I don't really need to see it again (especially not with those goofy ass rubber muscles). C+

Sparkle Of The Sea

• This reminds me so much of the type of two hander live commercial sketches that we would get with Kate and Aidy around 2019 that I'm convinced that this was an old script that was submitted for Harrys' first double duty episode from that year and didn't get picked because that episode already had the lamaze class sketch with Heidi and that Lorne thought that two "indiscriminate European accent" sketches in the same show would cancel each other out.

• I did like Jeremy and Janes Devo-ish duo as well as JAJs' singer. Who was Mikeys' assistant though? Was she someone we were supposed to recognize? That definitely wasn't Ashley, Sarah or Veronika.

• I was pleasantly surprised at how they managed to have Kenan sneak Jean K Jean in here at least 15 years after his last Update appearance (even if I was pretty ambivalent about this character and I was pretty sure he already did the exact same routine on Update already)

• Usually, I like Veronika and Tommy being paired together...but I could've done without this though.

• I did like Harrys' line about how "a cruise is just like being in a hotel except you could drown." C+

Best Buy

• Has...Kenan done this exact character before? In a sketch with Devon perhaps?

• Anyone getting inverted Leon Phelps vibes from this sketch?

• I can see Kenan is trying his damndest to put this over and I don't totally hate it...but I can't get too into it...and it seems like it is going on far too long for its own liking.

• At least they only counted on Harry to carry the "ending" rather than the whole sketch.

• I mean, I liked Kenans' line about his wife dying in a two foot deep fountain, but...the rest of this sketch was pure white noise. I mean, it was pleasant, goofy, unobjectionable white noise, but still. C-

Weekend Update w/Jost & Che

• Josts' Best Jokes: RFK shoulder surgery, Michael B Jordan, 

• Che's Best Jokes: Assembly of experts, Make Iran Great Again, Trump Elementary, MTG

• I dunno...something about the rest of this episode and they Jost and Che are adlibbing and audience riffing in a way that works that isn't "it's the 90s" level obnoxious makes their portions of this Update hit harder than they should. Still, this was one of those Updates that was ALL about the commentaries.

• Already, I like Jeremys' take nonsensical take on Tucker Carlson (it seems like he worked some Ben Shapiro in there to the point where I wonder if he did so intentionally)

• Not crazy about heavily costumed commentaries in any form (and if Marcellos' involved, all bets are off) but I liked the weird abstract specificity of Mikey as "the arial tramway emoji" so...this MIGHT work for me.

• Ok, somehow Mikey listing more obscure, unused emojis in full on "Wild N' Out" mode is giving me my biggest laugh of the night. This is so weird I get Marcello breaking here because it seems genuine on a very Mulaney/Stefon level. I even liked the ending more than I thought I would. B-

White Castle

• Well, I have liked Jane and Veronikas' previous two collaborations (and a few of the things they've done separately from each other this season as well) so I guess I just had to give this a chance.

• Even though this was yet another sketch in service of this episodes' whole theme of "let's just gush over how hot our host is this week", I liked how increasingly strange Jane and Veronika made this even for how formulaic this was and how "safe" the ending felt.

• I liked how Ashley anchored this too but honestly, I could've done without Kenans' motorcycle guy though. B+

She's A Dancer

• Even though THIS was the obligatory vehicle for our double duty host to sing outside of their designated musical guest spots, I did like the sudden tonal shift from "generic late 2000s club banger" to "Celtic Woman/Riverdance". 

• I even liked the harp scene with Jane and JAJ. I wasn't crazy about how this kind of just fell apart with the ending. C+

Harry For Him

• Even though this was another (literal) Harry vanity piece with more hints of "queerbaiting" that involved Ben Marshall, I liked how this was built and crafted in a way that each line from the next cast member was genuinely funnier than the last and made this more absurd.

• I also liked how this gave some much needed live airtime to Dismukes, Kam and Sarah. It felt a little long though. Kenan had the most lines in this, so maybe some of his and Harrys' lines could've been cut to tighten this up? B+

Ranking The 51st Season From Best To Worst

1. Nikki Glaser/Sombr (11.08.2025)
2. Glenn Powell/Olivia Dean (11.15.2025)
3. Alexander Skarsgard/Cardi B (01.31.2026)
4. Melissa McCarthy/Dijon (12.06.2025)
5. Ariana Grande/Cher (12.20.2025)
6. Ryan Gosling/Gorillaz (03.07.2026)
7. Amy Poehler/Role Model (10.11.2025)
8. Miles Teller/Brandi Carlile (11.01.2025)
9. Finn Wolfhard/A$AP Rocky (01.17.2026)
10. Harry Styles (03.14.2026)
11. Connor Storrie/Mumford & Sons (02.28.2026)
12. Josh O'Connor/Lily Allen (12.13.2025)
13. Sabrina Carpenter (10.18.2025) 
14. Teyana Taylor/Geese (01.24.2026)
15. Bad Bunny/Doja Cat (10.04.2025)

Overall Thoughts

• Well, this was just as much like Harrys' 2019 episode as I was dreading it would be since he displayed the exact same energy that appeals to no one outside his own established fan base. I wouldn't say this was better or worse, though. I'd say it was pretty much the same. There were moments I liked, moments I didn't care for, Harry was there and he was responsible for most of the latter moments.

• Sure, Harry had a lot of very vocal fans in the audience to support him (like most attractive male hosts do)....but they didn't exactly help put the episode over for those of us that aren't that big into Harry to begin with. They just made this episode feel much more like an exercise in vanity and highlighted how much of a limited appeal he still has.

• Still, the moments I did like hit harder for me as they were basically life rafts adrift in a sea of crushing dullness and the show felt a bit more stable and less uneven.

• Cast usage was all over the place, though. We didn't see much of Sarah, Kam, Tommy or Dismukes, but Chloe, Kenan, JAJ, Jeremy, Mikey, Ben, Jane and Veronika each scored in individual roles. No one cast member really "dominated" the night (except MAYBE you could make a case for Ben?)

Closing Thoughts

• Well, I'm glad this season of SNL is finally past it's three episode late winter run of "over hyped pretty boy" episodes that tried to get by on sheer fangirl energy and cuteness alone.

• Next week, NBCs' original SNL takes a two week vacation here in the states but on the other side of the pond where our most recent host hails from, Englands' Sky TV debuts their own adaptation "Saturday Night Live UK". Since this will be available for next day streaming on Peacock here in the states, I'm thinking I'll definitely write SOMETHING about it on this blog. 

• I don't know if it will be a full sketch by sketch breakdown like I usually do or a series of stray observations and comparisons but the temptation to analyze how this show compares to its' counterpart and put it in writing will be too strong to resist for sure.

• After that, you can expect a review of the Brian Williams/Feist episode from season 33 on this blog as a companion piece to an upcoming episode of the We Heart Hader podcast.

• Speaking of which, Deej and I just released a new episode just the other day reviewing the Kunuk Uncovered episode of Documentary Now! It may be our shortest episode to date, but I still encourage you to give it a listen. 

• After that, SNLUS comes back in early April with host Jack White and musical guest Jack Black. While I'm all for this combo just for the "what's in a name?" factor alone and I'm open to the idea of Jack Black becoming an official five timer...something about this feels a little "too soon" for me.

• Still, I remember genuinely liking Jacks' episode from last season quite a bit based on how starkly it stood out from the pack at that time. Of course, most of that was due to Jacks' sheer energy making it stand out by season 50 standards but it's clear he boosted morale and inspired some creative shift. 

• He elevated his episode just enough to make it feel and his infectious energy may be just what season 51 needs right now to prove its' still wanting to do something different and less complacent in its own status quo.

• Anyway, hope you guys all enjoy this output from me when you get a chance to see it!

Ryan Gosling/Gorillaz (03.07.2026)

Hegseth Iran Press Conference

• Possibly the safest possible choice for a cold open, but hey...I'll take it.

• The "Hegstand/Papa Roach/Trump Resort/we can do Jamaican again/Quagmires' hilarious" lines were my favorite so far.

• I like Jost randomly calling Tommy a "Hanson brother" and his "White Hamilton" response to Sarah.

• I figured they would throw in a reference to Kristie Noems firing. I did like the "reassigned under the bus" line. Nice to see Ashley in this role before she hangs the wig and lip prosthetic in the rafters. 

• Even nicer for them to end this here and give JAJs' Trump a break. C+

Monologue

• Oh, Jesus Christ. Is this just gonna be a more insufferable version of Will Ferrells' monologue from November 2019 but with Ryan Reynolds swapped out for Harry Styles? Fuck, this show is shameless.

• Oh, I see Ryan is singing again....or about to sing...while rambling on and on about his penchant for making space movies. This MIGHT go somewhere interesting.

• Ah, fuck. We REALLY can't keep the camera off Harry, can we?

• ...and Sarah has only showed up to do her "Punchs' mom" character in Harrys' lap just as his "Sign Of The Times" song is cued up for Ryan to reluctantly talk sing to.

• Nice use of heavily prostheticized backup dancers, at least.

• Yeah, I'd take a bullet right now too, Ryan.

• Obligatory "I'm Just Ken" reference.

• ...and of course the rest of the cast (which I just now remembered Chloe Fineman is a part of is only on stage to better gawk at at Harry. Called it.

• Yeah, I don't know what else I could say about this monologue except that it didn't even manage to clear the low bar I had for this episode. Oh well. Let's see if the rest of this episode delivers anything different. D-

Wedding Tradition

• This looks like a wedding set. Oh, fuck. This better not be what I think it is.

• Oh, good. Mikey and Sarah are the bride and groom. (*phew*) We're safe for now.

• Ashley got in a good line.

• Uh oh. Dismukes and Chloe are at another table as a couple.

• Oh, good. Ryan's playing some flashy ass weirdo who's obsessed with the idea of "clinking his glass to get the bride and groom to kiss" to the point of doing this at inappropriate times during their speech.

• Well, I'm glad they didn't decide to just say "fuck it" and give us another Domingo right now...but I'm not crazy about where this is going instead. Ryans' low energy delivery isn't helping.

• Hey, I just realized how far Ryan made it through this episode without break...AH FUCK!

• Well, I at least liked Sarahs' "wouldn't kill you" line as well as what Jeremy and Jane bought to this sketch.

• Didn't Kate McKinnon play an old woman who constantly demanded random people kiss for her own amusement? This reminds me a lot of that. I'm sure this is not the exact Kate McKinnon sketch people were expecting Ryan Gosling to bring back. I'm sure a lot of people are disappointed right now, but not me.

• ...and just when you think this sketch is dragging on for far too long, it has the good sense to end.

• Eh,  I didn't hate it. C-

Otezla vs. Skyrizi

• Hmm, so..this is just "what if Otezla and Skyrizi" were just more intense versions of Happy Fun Ball?"

• While there were way too many individual lines in this to list that I liked, I did like the deranged break neck speed paced absurdity of this sketch. B+

Cyclops

• This looks like it might be unique and interesting.

• Nope, it's not. In fact, the only interesting thing about this sketch is it's the first time I've seen Ashley and Veronika break ever.

• Other than that, this feels like the type of sketch that would've been written for Fred Armisen 15-20 years ago. Hell, it feels like a modern Mikey sketch since he also seems to have an affinity for playing hopeless dumbasses.

• Now, THIS truly did go on way too long...but i got a kick out of the ending. D+

Monty McTreats and The Pastry Bakery

• Ugh, this isn't gonna be another Sarah Squirm gore fest pretape, is it? I don't see her YET.

• Nope, just a Willy Wonka knock off but focused on the post mating suicide rituals of the male dough creatures Goslings' character kidnapped to work in his factory.

• Another pretape where I liked the dark and strange detail heavy nature of it more than anything. 

• This seemed like an improvement on whatever formula Dan Bulla was going for with his pretapes. I liked how it cut straight to the point without taking a detour around the expected darkness by way of a forced, saccharine happy ending.

• It doesn't surprise me that he had nothing to do with this and that this was apparently based on an old Mikey Groundlings sketch from over a decade ago. B+

Weekend Update w/Jost & Che

• Josts' Best Jokes: Kristi Noem, Womens' History Month

• Che's Best Jokes: Mind Reader, Dead Deer

• This Update has a lot of energy which is nice to see nowadays but...I feel like what the crowd who was here to see Ryan gave them is better than the jokes themselves (which Jost seemed to acknowledge)

• Hmm...a Kenan/JAJ faith themed musical combo. An interesting pairing. They should compliment each other well.

• I mean, this seems to be just playfully meandering nonsense that can't seem to pick a lane but the pomp these guys added to it made it at least entertaining.

• ...and it ends there. Not terrible. At least they knew they should end Update on a (relatively) high note this week. C+

Passing Notes

• Two high school teacher sketches in two weeks back to back? Ok, at least this one already looks like it might be better than the one we got last week.

• Oh, NOW I see why they felt the need to provide a disclaimer that these "notes" were changed at dress.

• This may be another cheap improv exercise put on air but at least this was a fun one that the cast had the time of their life with

• Glad to see Ashley get her "this is the absolute hardest I have ever broken on air" moment out of the way early in her tenure. I wonder what the discussion with standards & practices must have been like in order to get that "gynecologists' office" note cleared for air?

• It's nice to see that they decided to fully lean into the distinct possibility that there was going to be a historic amount of on air breaking this week and carve out a safe space to indulge themselves.

• I loved the idea of this sketch just being "let's have everyone pull a big Mulaney/Stefon/low stakes Che & Jost joke swap on each other" (and somehow our host kept it together the best out of anyone involved in this sketch).

• I may have liked Mikeys' reaction to his note that he pulled from Kam the best. B+

Goo Goo Man

• Huh...this could go somewhere interesting. Did Sarah cowrite this? She did well in this even if Ashley, Jeremy, Mikey and Kenan had some of the better supporting moments.

• Ryan performed this well although I would've liked to see the arrogance and self righteousness of his role played up a bit better.

• I did like that they tried a live sketch that just gave us a stream of meaningless goofy ass nonsense even if the pacing was a little languid. B-

Martin Herlihys' "Lies"

• I usually like Martins' solo short films and even though I can see how some would call this "one note" this was no exception.

• The pre-Jost stuff I liked the most were the "proud muggle tattoo" and the "stuntman" sight gags (which even livened up the semi-cliched ending confrontation between Jost and Herlihy)

• Colin Jost is a much maligned (with love) figure at SNL no doubt but the Herlihy Boy managed to put a new absurdist twist on that old trope (even if he did kind of drag it out without taking it anywhere).

• Man, who would've ever thought we'd get TWO Seth Meyers cameos on SNL in one season while he was still hosting Late Night? In this economy?

• The only thing I didn't care for in this was the repeated "lol Kevin Spacey amirite?" joke with the signed photo in Josts' dressing room. B-

Ranking The 51st Season From Best To Worst

1. Nikki Glaser/Sombr (11.08.2025)
2. Glenn Powell/Olivia Dean (11.15.2025)
3. Alexander Skarsgard/Cardi B (01.31.2026)
4. Melissa McCarthy/Dijon (12.06.2025)
5. Ariana Grande/Cher (12.20.2025)
6. Ryan Gosling/Gorillaz (03.07.2026)
7. Amy Poehler/Role Model (10.11.2025)
8. Miles Teller/Brandi Carlile (11.01.2025)
9. Finn Wolfhard/A$AP Rocky (01.17.2026)
10. Connor Storrie/Mumford & Sons (02.28.2026)
11. Josh O'Connor/Lily Allen (12.13.2025)
12. Sabrina Carpenter (10.18.2025) 
13. Teyana Taylor/Geese (01.24.2026)
14. Bad Bunny/Doja Cat (10.04.2025)

Ranking Ryan Goslings' Episodes From Best To Worst

1. Ryan Gosling/Gorillaz (03/07/2026)
2. Ryan Gosling/Leon Bridges (12.05.2015)
3. Ryan Gosling/Chris Stapleton (04.13.2024)
4. Ryan Gosling/Jay-Z (09.30.2017)

Overall Thoughts

• Well, this show certainly got off to as dire of a start as I was expecting but it somehow dug itself out of that hole much more easily than I was expecting it to.

• I do like how this episode got most of its shameless pandering and "too pointlessly stupid for its own good" moments out of the way early in three concentrated, easy to swallow doses and moved on to more strange experimental stuff later on.

• Hell, Ryan kept his breaking to an absolute minimum outside of the designated spots for it and even Lorne himself showed some incredible restraint by cutting a Beavis and Butthead sequel from dress rehearsal fer chrissake!

• Yes, this show cleared the incredibly low bar I had for it by simply having more going for it than one of the two Gorillaz performances (which were both great by the way) being "Clint Eastwood"

• While this episode may not have been quite good enough to break my personal top five for season 51, it was better than last week simply by virtue of being more stable and the best of Goslings' episode by default for how starkly different it was from his others (and yes, I personally gave bonus points for Gorillaz on this one).

• Cast usage remains stable. Mikey, Veronika and Ashley had expectedly big nights. Sarah had an unexpectedly big night. Meanwhile, Dismukes, (surprisingly) JAJ, Ben, Kam, Kenan and Jeremy (surprisingly) remained scaled back. Chloe seems to be easing back into the show after remembering she still works here and Tommy (for better or for worse) continues to make inroads.

Closing Thoughts

• Well, that turned out to mostly be a pleasant surprise.

• Next week, Harry Styles pulls double duty for a second time in nearly seven years. I somehow wasn't too crazy about his first episode and while I don't quite see him pulling off the same upset and defying previously set expectations the way Gosling just did, the show is substantially different enough now from what it was back in 2019 so I will go into this with an open mind.

• After that one, I will probably write a review of Season 33s Brian Williams/Feist episode and post it here on this blog as that will be the subject of the next episode of We Heart Hader that Deej and I record as we're doing that whole season. This will be a special episode because both the Saturday Night Network and That Week In SNL were two of my inspirations to get into podcasting in general and thus part of the reason why I cohost We Heart Hader to begin with so it will be nice to have an SNL episode that Jon, Andy, Timmy, Deej and I will have all mutually covered on our respective podcasts.

• Of course, before that the next episode of We Heart Hader you will actually be able to listen to the "Kunuk Uncovered" episode of Documentary Now which will likely be out just mere hours before the Harry Styles episode of SNL even airs on NBC if all goes well (because that will certainly be an interesting one for Deej to edit!)

• See you all again very soon!

Connor Storrie/Mumford & Sons (02.28.2026)

Trump/Hegseth Iran Briefing

• Ugh, here we go, I guess.

• Well, this is easier for me to picture than a SOTU cold open at this point.

• At least I kinda liked the "allowed to do one war/year 5000/Forrest Gump jokes/SNL writers room jok...HEY WAIT A MINUTE!!!"

• OK,Jost as Hegseth MIGHT hold my attention (even if he doesn't seem to have his heart in it this time, I did like the "knuckle tats" and "Game Cube" jokes)

• At least that was mercifully short (it had to be under these circumstances). C-

Monologue

• Well, Connor isn't giving off a lot of energy but I do like how he IS giving us a sincere genuine look at his own acting background with a vibe that screams "wow, it's like Bowen Yang never even left".

• I guess the stiff cameo from the Mens' Olympic Hockey Team players (which I honestly forgot was happening until I suddenly saw it on screen) wasn't as awkward as I was expecting and its' nice that they could get the womens' hockey team to balance this out. The constant applause breaks didn't help the timing or pacing of this, though. C+

Farewell Mr. Fronzi

• Ok...seriously, what the actual CHRIST am I watching here?

• ...and I thought the obligatory Trump/JAJ cold open was meaningless, nonsensical word salad.

• I have to admit though, as much as I don't like whatever the fuck Marcello is doing here...it's still preferable to more of Connors stiff flat, meaningless line readings.

• ...and now, Marcello is walking in on Connor doing an impression of his character. A neat, if not unexpected twist, but MAN...this sketch feels like a long walk off a short pier.

• Now, everyone is joining in. Ok, yeah...sure. I'm afraid this might be that same irreversible tipping point for me with Marcello that the first "Surprised Sue" was for me with Kristen Wiig or Fred Armisens' first appearance as Barack Obama was for me with him,

• I did like Kams' sudden line about not knowing what subject this class is. 

• Is it just me or does this sketch seem like Marcello himself wrote it when HE was in high school? 

• This sketch seems like it would've been a one-and-done character piece meant for Jay Pharroh 10 years ago (or even Devon Walker three years ago) D+

Gentlemens' Code

• Well, this pretape seems to fit Connors acting style a bit more (it certainly fits Mikeys' acting style...a little too well).

• Ok, this just seemed like it was "Rookie Cop" but with hand-slapping instead of badly timed sleeve-puking but thankfully Kenan added the minor twist of being able to beat these motherfuckers so hard he launches them into the air.

• Dismukes kicking his child into the air Charlie Brown and Lucy style was a fun touch, too and this actually wrapped itself up nicely into a neat little package. C+

Ice Skating Rink

• If nothing else, this was an OK showcase for Veronikas' acting chops. Tommy was...OK here. Hell, he plays off these Mikey day roles a little bit better and with more subtlety than Mikey seems capable of these days.

• At first, this came off like an experiment on the shows part on a production level to see if they could pull off the "Background Chaos" style of pretape in a live sketch format, but once Tommy started commenting on what these grown men were up to behind him, it started reminding me a lot more of the "SWAT Recon" sketch  from Chris Pines' episode in 2017 and I began to wonder which writers from season 42 are still on staff and I was like "ooohhh, right".

• Wow, this crowd is going FUCKING NUTS for this Hudson dude who's Connors costar on his show. Seriously, he's getting the most screaming applause breaks out of anyone or anything on the show. He is single handedly making this sketch much longer than it should be and may be solely responsible for those excellent Jane/Veronika "Car Door" and "Tourettes"" sketches being cut.

• Anyway, this was all right in spite of its' length and pacing. I appreciate them adding little extraneous little details to this but of the two sketches that did this tonight...the other one did it better for me. C+

Tutoring The Cool Kid

• Well, Connors' acting style fits this sketch well (mostly because he can play off the awkward moments)

• Ben, Ashley and JAJs intentionally odd keyboard playing were the highlight of this sketch for me.

• Ashley and JAJ as Bens' parents played off the "long cold" bit really well but...I kind of wish they had come up with something different for that particular beat

• The ending was...heartwarming. C+ 

Weekend Update w/Jost & Che

• Josts' Best Jokes: Prince Andrew, Nasal Spray

• Che's Best Jokes: Somali Pirates, Smart Mattress

• Hey, Colin...speaking of "nasal spray", are you also just getting over a cold? You sound a little congested, bro.

• Hey, Veronika finally gets a new Update character!

• Should...someone ask Vanessa Bayer if Jacob the Bar Mitzvah Boy or child actress Laura Parsons were MEANT to have an older sister or cousin who was recently made a bridesmaid?

• Well, I didn't like how they suddenly forced topicality on that commentary...but I do really appreciate Veronika giving us something unique with a fun energy.

• I did like Colins' Stephen Hawking "Hear Me Out" commentary.

• Ok, Lorne forced Sarah to put on a slutty ass monkey costume, didn't he?

• I don't like the framing of this being "Punchs' mom as a trashy Jerry Springer/Maury Povich guest" but it's not exactly the worst costumed Sarah Update piece I've seen.

• Marcello as Punch himself was...a surprisingly enjoyable and wholesome way to end this. C+

Griff Of The Magi

• So, Marcello just walks around on stilts uncomfortably with crunchy sound effects and all while the rest of the cast debates his height...and that's the sketch?

• I mean, I didn't HATE this...but I didn't like it enough to say it redeemed Marcello in my eyes after that first post monologue sketch.

• Connor played into this premise pretty well (or at least in the exact way I would've imagined Bowen playing into this if they did this, like, a year ago when he was still in the cast).

• This was the other sketch of the night that added various little extraneous little details I was referring to. Upon rewatch, most of these details actually served this sketch well due to the sheer thinness of its premise as pointlessly random as they seemed at the time.

• Specifically, the details I liked were Sarahs' line about the suicide of Marcellos' girlfriend and Marcello suddenly sticking his tongue out and asking "would I be able to to this?"

• I didn't much care for any of Mikeys' lines but I liked seeing hi briefly break for the first time ever. C+

Raising Office Morale

• Well, Sarah's first line and Dismukes "Severance-style" speech followed by him falling back in his chair were the only things that got me so far (aside from the oddness of this being Kenans' only live sketch appearance in the entire episode)

• Other than that, this feels like the same sketch template as the "BurrSweeto" thing from Quinta Brunsons second episode or the HR thing from Shane Gillis' first...but Connor Storrie is pitching his coworkers on the concept of a dance

• God, this has the most trouble staying focused on its one lane out of any SNL sketch I've seen in recent memory...and it's going on WAY too long.

• Well, I can't say the Mumford & Sons cameo was UNnecessary or UNcalled for. Still didn't care much for it though. C-

Bachelorette Party

• Oh, OK. So, THIS is that "stripper who just got hit by a car" sketch" that Connor talked about in an interview he did about his early performing background in sketch/clowning.

• Even though, this premise doesn't feel that unique to SNL or sketch comedy in general (it feels like a sketch template we've seen before on both SNL and MADtv) I can tell it definitely feels unique and special to Connor and I was hoping something from that part of his life made it on air so in a way...I AM glad to have gotten to see this.

• The way this cast and Connor executed this made it feel just as avant garde as Connor described it in that interview.

• Jane, Ashley, Sarah and Veronika each got great lines in and played off Connor extremely well (especially when he asked Sarah to wrap his belt around his bloody thigh like a tourniquet). B-

Ranking The 51st Season From Best To Worst

1. Nikki Glaser/Sombr (11.08.2025)
2. Glenn Powell/Olivia Dean (11.15.2025)
3. Alexander Skarsgard/Cardi B (01.31.2026)
4. Melissa McCarthy/Dijon (12.06.2025)
5. Ariana Grande/Cher (12.20.2025)
6. Amy Poehler/Role Model (10.11.2025)
7. Miles Teller/Brandi Carlile (11.01.2025)
8. Finn Wolfhard/A$AP Rocky (01.17.2026)
9. Connor Storrie/Mumford & Sons (02.28.2026)
10. Josh O'Connor/Lily Allen (12.13.2025)
11. Sabrina Carpenter (10.18.2025) 
12. Teyana Taylor/Geese (01.24.2026)
13. Bad Bunny/Doja Cat (10.04.2025)

Overall Thoughts

• To call this episode uneven would be the understatement of the year. This episode was a wild goddamn roller coaster. I had it pegged for possibly one of the worst of the season pretty early on but it had a few redeeming qualities to it as it went on (I mean, not enough to keep it out of my personal bottom five of the season so far, but still)

• Connor Storrie wasn't exactly a bad host. He was certainly a "game" host, no doubt about that but at times being a passively "game" host seemed to be his only trick. By this I mean that aside from the very last sketch (which he clearly had a big part in conceptualizing and getting on air) he exhibited a very low key, laid back Harry Styles/Bowen Yang type energy all night except for when the sketch called for him to imitate a specific characters one quirk or goofy shtick and suddenly he snapped himself out of it.

• He reminds me of the type of male SNL host who professes to be a big fan of the show and clearly gives it HIS all but somehow none of his energy translates into making the show that much entertaining to anyone outside of his specific fan base because he's clearly using his good looks and charm to put over some very "mid"material. I want to say that Jason Momoa is this exact type of host but that's not quite a fair comparison because he and Connor Storrie are clearly very different types of actors.

• Still, I have to say this episode gave me a bit more than the basic level of what I was expecting from an episode where they were clearly planning to get by on the sheer manic energy of the shrieking young rabid fanbase the host was going to bring with them.

• Cast usage was just as uneven. It was expected that we'd get a lot of Ben, Marcello, Ashley and Sarah tonight but Veronika may have had the best night of her entire tenure thus far and she truly deserves it. Chloe was absent and Jeremy was almost shut out (well, if you blinked you may have missed him). Kenan was surprisingly light tonight which makes me wonder how much he is actually considering leaving this season. Mikey, Jane, Tommy, Andrew and Kam were just as peripheral as they always are.

Closing Thoughts

• Well, that was certainly a show I STILL may have to chew on even after all I just wrote about it!

• Next week, Ryan Gosling returns to host. I gotta say, his last episode may have seemed just as fun and high energy as parts of this one did but it ultimately annoyed the hell out of me because Ryan literally spent the whole show after he finished his monologue breaking. It was like he was trying to break on old Guinness World Record or something.

• Knowing how Ryan usually is when he hosts, I don't expect anything different from him but let's hope they actually new ways to make this episode starkly different from his last three.

• Also, feel free to listen to the latest episode of We Heart Hader where Deej and I review the Jon Bon Jovi/Foo FIghters episode as part of our SNL Season 33 coverage and read the blog post I published just hours before this one to go along with it. I think I can safely say that episode was better than this one.

• Deej and I are about to record another episode of We Heart Hader reviewing the "Kunuk Uncovered" epsiode of Documentary Now! as part of our coverage of the first two seasons of that show.

• Speaking of podcasts that Deej Barens and I have both been on, check us each out on our own separate episodes of "Cover Wars". I talk about The Turtles' "Happy Together" in mine and Deej talks about Billy Joels' "New York State Of Mind" in hers.

• See you guys real soon!

Jon Bon Jovi/Foo Fighters (10.13.2007)

The following blog post is a companion piece to the newest episode of the We Heart Hader Podcast. Give us a listen, won't you?

Amy Poehlers' House

On this day in 1986, a teenage Amy Poehler vents in her diary about her horrible life when suddenly she falls into a hairspray induced delirium and hallucinates a long haired 80s Jon Bon Jovi coming down from his poster on her wall to inspire her to pursue her dreams of acting like her pursued his dream of being a rock star. He goes on to promise her that twenty (well...twenty one, really) years from now, she will be in the cast of Saturday Night Live when he hosts.

• Hmm...is is just me or does this cold open remind any one else of Seth MacFarlanes' "Ted" series on Peacock? Y'know, because of all the 80s fashion mixed with thick Boston accents?

• Anyway, most of the humor in this came from Amy's thick Boston accent paired with her dramatic 80s high school teen angst. In fact, I think her look here may have been based on an actual high school yearbook photo of hers.

• I can't really pick out one particular line that stood out the most aside from her saying she needed to get her hair higher before passing out, her dreams of shopping at "The Limited"instead of just working there and renting her own apartment to invite friends over for beers to and her mentioning that her monologue that got a lot of laughs at school was from "The Diary Of Anne Frank". 

• Amy really did the most with the material she had to make sure that this just BARELY got over. Fortunately for her, this cold opens shortcomings weren't her fault at all.

• Tonight's host, Jon Bon Jovi, makes his first appearance here and immediately exhibits near Steven Segal levels of mumbling his lines in the most flat barely audible way possible which, unfortunately,would continue throughout every segment he appears in for sure.

• I will say that this cold open does suggest that Mr. Bon Jovi was at least slightly easier to deal with backstage and less difficult than Mr. Segal was but still...he looks like he would rather be anywhere else but here through much of this episode (even in segments like this one that come across like one big exercise in stroking the hosts' ego). 

• As a huge SNL nerd, I gotta agree with a take I saw from Stooge after this episode first aired that it would've been better had Amy been surprised to find that SNL would still be on the air in 20 years rather than just Bon Jovi merely being the host instead of the musical guest and also having cut his hair. 

• After all, this would have been just after the infamous season 11 had concluded and the show was seriously on the brink of cancellation for the first of only two times in its now 50 year history. Realistically though, I can see the show in 2007 thinking it too "Inside Baseball" to include a joke where Amy says something like "I mean, have you SEEN that show lately? It sucks bad and it's wicked boring now." 

• Plus, October 12, 1986 would've been the day after season 12 premiered which did pretty much save the show but no one would've had any idea that would happen yet if they didn't watch the show last night or just read any TV critics reviews of it. This raises an interesting question of why a teenage Amy Poehler would be attending school on a Sunday? She does open this sketch by writing in her diary that she had gotten her period on the balance beam that day but even if she were on her schools'gymnastics team I doubt they would have practice on Sunday.

• Oh well, I'm sure I'm just splitting hairs and putting much more thought into this cold opening than the writers' did. I'll just faintly praise the unique nature of this rare non-political cold open and move on. C+  

Monologue

Jon Bon Jovi confirms that as host he will only be acting and not singing tonight to which audience members (Liz Cackowski, Steve Higgins) express disappointment. Jon's band mate Richie Sambora (himself) reminds him they have a new album out and expresses hurt feelings on behalf of the rest of the band which convinces him to preform.

• Yeah, there wasn't much to this monologue. It's only purpose was to set up Bon Jovi as our "unofficial" musical guest of the night (because how else can Jon Bon Jovi endear himself to the SNL audience at the top of the show and bring us into his own comfort zone with him, right?)

• I liked Liz and Higgins here essentially acting as literal audience surrogates (especially the way Higgins delivered his line "Who wants to see Jon Bon Jovi sing? I want to see him act! This will be the greatest night of my life! Let's go, honey.")

• I will say the one genuinely funny thing Jon did here was bail out his most well known band mate during his little deer in headlights moment by blatantly feeding him his big laugh line when he just straight up lost track of his own cue card. That alone probably made this about ten times funnier than if would've been had this part gone as smoothly as it was supposed to. C-

Bon Jovi Performs "Lost Highway"

• Eh, I've always liked "It's My Life" and "Livin' On A Prayer" just fine and passively tolerated "Dead Or Alive" but besides those...I've just never been a Bon Jovi fan.

• The fiddle in this song in particular really adds to the "completely indistinguishable from every other adult contemporary/country pop hit that came out in 2007" sound here.

• Pretty ironic that this song contains the lyric "farewell to mediocrity", huh?

Ohhhhhhhhh!

Host Johnny Vincente (Hader) hosts an Italian themed New Jersey based game show where the object is to see which of the three contestants (Armisen, Bon Jovi, Hammond) can produce the best outraged response to a minor shock or distressing situation for an every day Jersey resident. The game concludes with a speed round with prompts from a woman (Wiig) who is revealed to be the hosts goomar

• Ok, for the podcast this may seem like a cheat since this is one of the two sketches from this episode that Deej and I have previously discussed on the fifth episode of our podcast together...but I haven't talked about it on this blog yet, so in case you didn't listen to that episode, I'll get into that one again real quick here.

• Right off the bat, Bill is a solid anchor of this sketch in only his second game show host roll of his SNL tenure. Not only is he wearing the nicest suit he's ever worn on the show here but he's also giving the most entertaining performance in this.

• He's the second most convincing as a Jersey Italian (right behind the actual born and raised Jersey Italian who's hosting the show and keeps delivering all his lines in a too subdued fashion). Armisen's just trying a bit too hard. 

• Hammonds' just doing his James Gandolfini impression to justify his presence here because it's the only thing he actually can do with the material he is given. I did like his lines about his wife being fat and lazy and being a Tony Soprano impersonator that seems to perform exclusively at car washes and Bills' brief comment of "ay, all right" when he exited the scene in bills' shot when he apparently wasn't supposed to do that) more than I liked his constant shouting over the mere mentions of the word "homosexuality". 

• Wiig made a good pissed off mistress, though. Speaking of this sketches' treatment of women in general, I liked how none of the guys had any offended response to the idea of getting serviced by a prostitute and suddenly remembering today is their wifes' birthday.

• One small detail I liked were the low quality prizes here (gift certificate to Sal De Antonis' undershirt emporium, seats to Devils home game, slightly worse seats to a Devils' home game).

• Anyway, I'm sure I had more to say about this sketch in the podcast episode I linked to above, so...go listen to that one, why don't you? B+

A Visit With Former Vice President Al Gore

Al Gore (Hammond) takes you on a tour of his personal trophy room where he shows off various awards he won for all the different versions of "An Inconvenient Truth' that have ever existed.

• At first I thought that going right from "Ohhhhhhhh!" into this sketch must've been quite the rush of a quick change for Darrell until I remembered that there was a whole commercial break in between these first two sketches.

• Speaking of, one thing this sketch has going for it is that by this point, Darrell Hammond actually looks more like Al Gore than he did when he started doing this impression regularly on the show eight years earlier (mostly due to the way that the real Al Gore has aged in that time). That plus SNLs regular audience just being used to seeing this impression on the show by this point...helped make this sketch work, I guess?

• Apparently, the real Al Gore won the Nobel Peace Prize this week which is what spawned this sketch. Somehow, I doubt that this had anything to do with "An Inconvenient Truth" like the rest of these awards do as they don't give those out for movies (especially not ones that are more than a year old at this point).

• Odd that the joke about Al Gore winning "The Poppy" (for winning the popular vote in an election without actually getting to be president) would get the applause it did in 2007.

• While this did start off a little repetitive, there were a few odd awards here that I did get a kick out of like his Harvard mention getting no applause, the AVN award a porno version of "An Inconvenient Truth", a participation certificate for the National Punt, Pass and Kick competition, the small, framed measles vaccination certificate, the "free DVD player or touring a time share"framed flyer and, of course, O.J. Simpsons former Heisman Trophy.

• This reminded me a lot of a sketch from the January 1993 Harvey Keitel episode called "An Insane Idiot And His Descending Size Collection Of Deer Heads". C-

Digital Short: People Getting Punched Just Before Eating

Andy Samberg lands a series of wild near-flailing punches on various people (Forte, Sudeikis, Jorma Taccone, Bon Jovi, Dave Grohl, Taylor Hawkins) just before they take a bite out of whatever food they have in their own hands. Suddenly, he runs from a group of zombies (Armisen, Danielle Flora) and then dances with them.

• Like most early digital shorts of this era, this was just pure silly goofy fun designed to bring a much needed boost of energy to this episode right when it needed one.

• The beepity-boopity techno soundtrack of this short somehow complimented this well (especially when Andy would follow every other punch by doing a goofy tongue wiggling, finger pointing jig).

• It was good of Jon Bon Jovi to get in on this but him suddenly jumping back up with a guitar and the caption "full recovery" was a little off-putting to me. Given Bon Jovis' reputation, I do genuinely wonder if he insisted on that?

• I do like the gag immediately following this when Andy has to bring his whole body to a screeching halt to stop himself from punching Jason until his sudden cell phone call he answers is over.

• I especially liked the return of a black eyed Forte threatening to punch Samberg back causing him to back off, then suddenly sneak up behind him and strangled him followed by Sambergs' goofy dance to a caption of "murder"

• The "zombies" ending may seem a bit "lol random" to the untrained eye but if you look closely you'll see that the reason Andy is suddenly holding a severed human arm is because that's what the last person he punched was eating. I commend The Lonely Island for sneaking this little "blink and you'll miss it" detail in there. B-

TBS Postseason 07 Promo

Dane Cook (Sudeikis) hypes up the upcoming MLB Playoff match between the Boston Red Sox and the Cleveland Indians

• This is the debut of Jasons' Dane Cook impression which he would only do one more after this episode. I'd say it's a pretty accurate one as he's got a decent handle on the voice and he's got Cooks' physicality and joke delivery style down pat.

• I remember these Dane Cook TBS World Series promos from around this time and this really does a great job of mocking how odd and inexplicable they felt back then. This truly felt like TBS equivalent of ABCs' hiring of Dennis Miller as a Monday Night Football color man back in 2000/01 or (more accurately) ESPN hiring Hollywoods' Robert Evans to do any kind of promos for them whatsoever (which is something I'm only familiar with from Patton Oswalt describing it).

• I liked his line about then Cleveland Indians pitcher C.C. Sabathia: "This C.Cs' not a music factory, he's a pitching factory." as well as "there's only one logical spokesperson for baseball, Dane Cook". C+

La Revista Della Televisione con Vinny Vedecci

Italian talk show host Vinny Veddecci (Hader) struggles to conduct his interview in English as he and his spaghetti eating crew (Armisen, Forte) are in utter disbelief that a man with the last name "Bon Jovi" isn't perfectly fluent in Italian (which is why they never even bothered to arrange for a translator for this interview). Talk of The Sopranos, childrens' cigarettes and robot horses ensues ending with a unique and rousing cover of "Livin' On A Prayer".

• This is the third appearance of this character as a talk show host after debuting in the previous seasons' Julia Louis-Dreyfus/Snow Patrol episode as well as the Zach Braff/Maroon 5 finale. He's one of my favorite early Bill Hader characters as evidenced by how Deej and I based the entire third episode of our podcast on his appearances (and I wrote a whole 'nother accompanying blog post just to go with that one where I apparently ranked this sketch as my favorite of all of this characters appearances).

• Again, I realize this may seem like a bit of a cheat given how this is the second segment from this episode alone that we've talked about on a previous episode of our own podcast...but I'm trying to shake off this nagging feeling that I have unwittingly cheated myself and my audience out of a better blog entry and podcast episode by going along with a plan that involves reviewing this episode in full, so...bear with me here, please.

• Anyway, feel free to read what I already wrote in that above linked podcast post for a more in-depth analysis of this sketch. For now, I'm just going to gloss over a few highlights.

• I liked that Vinny starts off the English portion of this interview by over pronouncing hiswords as much as possible and just generally struggling more to speak in English than he was in his previous sketches (despite what a major backslide in basic language competency and literacy this represents for the character).

• Bills' Silvio/Van Zandt impression along with Freds' Paulie Walnuts worked well for me here. I especially liked the kids' cigarette commercial set to "Blaze of Glory" (especially Paula Pells' appearance as a smoking nun and Vinnys' defense of the commercial being that the smokers were not "little kids" but rather "seven...eight year olds...MEN!").

• The robot horse gag and "Livin' On A Prayer" cover were just silly enough to work for me. Hell, I even liked Jon Bon Jovi calling out Vinny and his crew for not speaking using any of the same Italian words that his grandmother used (despite it now being so obvious that both of them are so much more fluent in English than they are in actual Italian that it makes one question why either of them would need a translator for this interview and thus decimates the logic of this entire sketch). B+

Weekend Update w/Poehler and Meyers

NBC employee Rosa Santiago (Rudolph) pitches in with a few jokes in the face of an upcoming WGA strike

Publicly nude cellphone user Josh Drimmer (Samberg) walks by the Update desk from a nearby Tads' Steaks

Political comedian Nicholas Fehn (Armisen) tries to riff on todays' headlines but cannot get a word out edgewise

• Seth's Best Jokes: Blackberry vibrations, cadaver scalps, Dirty Lou

• Amy's Best Jokes: Che Guevara tribute, Rubiks' record, boy found in Amazon, robot facials

• Hmm, I don't quite know what to make of this odd anti-comedy bi Mayas' doing. I don't mind her telling purposely bad jokes but having her do so as a, um...latina custodian, seemed a bit iffy to me. 

• I did like the brief bit of improv with the loose desk, Seth's reaction to the naked driving joke and they way she delivered the Pam Anderson/Rick Solomon joke (Jesus, why did she agree to marry HIM?)

• I guess this got on the air because it was mutually understood that Maya already had a foot out the door for the last two seasons at this point and since there was a strong possibility that either this or the next show could be her last she just wanted one second to last chance to goof around with Amy. 

• Speaking of goofy, Sambergs' naked guy bit was just brief and silly enough to get by for me.

• Here it is, folks; the debut of Armisens' Nicholas Fehn character. 

• You know, this character has fully earned its bad rap but I think I can cut his first appearance some slack since I do remember liking the first one and this was before Armisen jumped the shark and hadn't burned off any Goodwill he had earned from exhibiting a brand of off-kilter anti-comedy that actually did work. Plus, this would end up being FAR from his absolute worst character in the long run.

• I had heard Fred tell Marc Maron that this character was essentially based on David Crossand was supposed to mimic his speech patterns when trying to make a point but not having his words handy to explain his point and yeah...I've seen enough footage of David Cross to be able to see exactly what he was talking about there. C-

Foo Fighters perform "The Pretender"

• Hey, it's our ACTUAL musical guest! All right!

• Unfortunately, this is the only song the Foo Fighters get tonight.

• The musical guest only gets to do one song post Update tonight? I thought I was reviewing season 33 not season 23!

• Yeah, this is a pretty solid performance much like the most of the rest of their performances. Normally, I like the Foo Fighters and this song in particular, but...something seemed a little off vocally with Dave, like he was having a little trouble staying on key or losing his voice or something.

Where's My Purse?

A doddering dowdy old spaceship captain (Wiig) is too distracted by thoughts of her missing purse (which turned out to be right next to her captains' chair where she left it) to properly fend off a boarding and attack from hostile aliens (Bon Jovi, Thompson, Samberg) who have set out to kill her first officer (Forte) or her crew (Armisen, Hader Rudolph)

• Yeah, my memory of this being the worst live sketch of the night (well, worst sketch of the show in general, really) still definitely holds up. 

• This does feel like one of those sketches that is a harbinger for things to come as far as Kristen playing annoying, self-centered characters between seasons 34-37 goes, but at least this one fells somewhat grounded.

• I mean, after all...haven't we all encountered an older woman exactly like this just talking your ear off about personal grievances in life?

• It speaks pretty poorly to Jon Bon Jovis' presence as a host here that his simply wearing the most basic, run of the mill alien/martian head prosthetic was the moment when he seemed the most "game for anything" as a host (even while STILL mumbling his lines just as flatly disinterested as ever)

• Bill does have a funny moment in this as the crew member running in to warn everybody about the boarding aliens in a panic before being zapped with a ray gun by Kenans' character and simply whining "aw, man".

• I did get a small kick out of Kristen's character finding her purse right where she was just sitting and casually taking a ray gun out of it to nonchalantly shoot Kenans' character in the face and the ending cutaway to Fred and Mayas' characters fighting off Sambergs' alien and the next cutaway to them being a shot of them slumped over their control panels dead. C- 

TBS Postseason 07 Promo II

Dane Cook (Sudeikis) hypes up the other upcoming MLB playoff match between the Colorado Rockies and the Arizona Diamondbacks

• Ah, the second part of tonight's two part runner. This one I did like much better than the first since Jason did make mention of my home team, the Colorado Rockies (who miraculously made it to the actual 2007 World Series but lost to the Boston Red Sox of all people who managed to win it three years prior...but yeah, it was fun as a Coloradan to watch that series)

• I appreciated the "Brandon Webb/Spiderman reference" (a nod to another odd reference to an actual thing Dane Cook said in these promos) the line "I'm pretty sure one of them's a hockey team" and the line about how Rockies player Todd Helton "shouldn't have a batting average, he should have a batting outstanding". B+

Notre Dame Football on NBC

This was a fake promo that's somehow neither on the Peacock edit not the non-Peacock live air copy that I am using for this review, but it's basically just stock footage of actual Notre Dame football games set to a voice over by Steve Higgins mocking how badly they play and saying that NBC is the only place you can see this highly disappointing action.

• Man, it is hard as hell even finding a rigging TRANSCRIPT of this sketch, but what I have read about sketch its basically very "Inside Baseball"but for...well, football about what a crappy team Notre Dame is.

• One of Higgins' lines that seems to stand out among those who saw this when it aired was "Touchdown...other guy!" so, at least there's that.

What To Call The Band

As he and his band mates hold a vote, Jon Bon Jovi has a hard time convincing band mates Richie Sambora (Sudeikis), Tico Torres (Armisen), Alan Jon Such (Forte) and David Bryan (Samberg) to name the band after him instead of calling themselves "Natural Disaster"

• Well, at least we KINDA get to see Jon Bon Jovi poke fun at the idea that he has a huge ego?

• It's a little strange that this is the second sketch of the whole night where our host plays his previous, long haired 80s self but the first was the cold open which probably wasn't written until Friday at the earliest and it was decided that this was a slow enough news week/month politically that they could get away with it (unless the Al Gore thing was supposed to be the cold open at one point?)

• Anyway, this did go on a bit too long and meander, but I gotta say Jason sold his frustration just right, I liked the sequence where Jon Bon Jovi said he didn't remember the names of Will and Andy's bandmates and Will line about only wanting to stay for the first 25 years.

• I gotta say though, the ending didn't quite work for me as its' not that odd now for new up and coming artists to self title their albums. C-

Iconoclasts on IFC

IFC continues its proud tradition of having a show where two random famous people say words at each others' faces in public locations by filming singer Bjork (Wiig) and former athlete Charles Barkley (Thompson) talking about God knows what a Cheesecake Factory.

• This was a fun little goofy note to end this episode on. The timing of this is interesting because it comes right after the actual "Iconoclasts" show had Lorne Michaels and Paul Simon featured together (as well as Maya Angelou and Dave Chappelle in a completely separate episode) but you could tell this was done in good spirits (not mean ones) after NBC and Lorne gave them behind the scenes access to SNLs' production schedule.

• We also get the debut appearances of two notable SNL impressions here: Kristen Wiigs' Bjork (another in a long litany of sketch impressions of this woman focusing solely on how weird and quirky she is as an artist rather than anything else about her as a singer) and Kenans Charles Barkley (an impression of his I've always liked and found very funny).

• This being the debut of Kenans' Barkley means we are seeing an early, primitive version of it before Kenan decided he needed to tighten it up which means he has slower speech patterns that are closer to the way the actual Barkley speaks. This also somehow gives his Barkley a more distinctly effeminate and flamboyant vibe that brings it closer to his "DJ Dynasty Handbag" character from "Deep House Dish" or Little Richard.

• Among the standout lines and moments for Wiig here were her making it "snow" by throwing salt up in the air and bringing along a single bicycle wheel claiming she used it to get here today. Among the stand out lines and moments for Kenan were his calling Bjork "Bork" and comparing her to Dennis Rodman "if he were a tiny white lady". B-

Goodnights

Jack Nicholson (Himself) introduces hosts' second performance

• Wow, this guy must really hate doing television because not has he only never hosted SNL in 50 years (despite making the odd cameo now and then) but I can't say I've ever seen him as a guest on that many American talk shows either.

• In fact, what did he even have in common with Jon Bon Jovi around this time? I vaguely remember hearing that they were both part owners/investors in arena football teams or something?

Bon Jovi Performs "Who Says You Can't Go Home"

• Well, it's at least nice that Jon Bon Jovi could thank "Lorne, Marci and Steve"or having him on...before closing out the show with a song that sounds exactly identical to the first one he did instead of a monologue. I guess he just named those he had to negotiate with to get to be billed as host and still do both these songs with his band?

Ranking Season 33 From Best To Worst

1. Lebron James/Kanye West (09.29.2007)
2. Seth Rogen/Spoon (10.06.2007)
3. Jon Bon Jovi/Foo Fighters (10.13.2007)

Overall Thoughts

• Revisiting this episode, I have discovered that that is wasn't quite as "bad" as i remembered...just a rather uneven show that is sightly weighed down by a lackluster host. I'm slightly tempted to put him in the same category host as Steven Segal or Robert Blake but he's not as big a monster as them (although not much here suggests that he wasn't difficult to work with at all.

• Jon Bon Jovi may not have actively bought down the show or anything but he didn't exactly go out of his way to elevate any of the material...or really play many roles besides some variation on himself for that matter. Thankfully, this current cast doesn't have that problem as they could easily elevate a lot of this material without even trying. This episode really shows a lot of the cast having to pitch in to pick up some of the slack from the host.

• The best way I can assess Jon Bon Jovi as SNL host is to compare him to an Early 80s Dick Ebersol era host because that is truly what he reminds me of. That was the era of hosts being more "hands off" and not in every single sketch the whole night. Hell, even the aforementioned Robert Blake was only in two sketches outside of his own monologue back in '82 (which might be due to him turning down every pitch that was presented to him).

• Yes, I know that Jon Bon Jovi appeared way more than four times in his own episode but his basic onscreen presence during non-musical sketches was such that he pretty much disappeared into the background so much that even him not appearing in a mere two sketches was enough to make you even forget he WAS the host.

• Like I said, this episode was more truly "uneven" than bad, but for the reasons I just stated it it still the weakest of this season so far by default.

Closing Thoughts

• Well, I certainly hope you enjoyed reading this review and listening to the podcast that went along with it. I also certainly hope you enjoy reading my review of the upcoming Connor Storrie/Mumford & Sons episode of SNL which I will have published by this Sunday evening.

• You know, I was thinking that if I could somehow find a way to watch/stream the upcoming premiere of SNL UK that I MIGHT just review that on this blog. If you'd be at all interested in reading that, please sound off in the comments below.

• Right now, there's three things I definitely know for sure that I will be reviewing. I've just mentioned one of them. The other two things will be the Kunuk Uncovered episode of Documentary Now for our next We Heart Hader episode and the Brian Williams/Feist episode of SNL Season 33 for the episode after that (which I will also publish a review of on this blog as well).

• See you then!