John Mulaney/Chapell Roan (11.02.2024)

 Sudden Pre-Show Thoughts

- Ok, when I heard Kamala Harris was actually appearing on the show tonight, I had some... mixed feelings. For one thing, I've been feeling that we may be past the point where it would be considered appropriate let alone hip, cool or media savvy for an active presidential candidate to make an appearance on this show since...well, since the time one of THIS race's candidates actually hosted nine years ago at the start of his first campaign but that's also the least of my worries at the moment.

- I mean, as heavily skewed as the polls seem to be right now (at least not counting the ones you somehow see from Elon Musk on that damn former "bird" site he's been running into the cold, cold ground), all signs point to her gaining significantly on Trump in recent weeks. I certainly don't want for her or the show to accidentally jinx that. I mean, I think she's definitely held her own in recent "hostile" interviews and not taken any reporters bait or anything, so...she's not in any SERIOUS danger of losing at this point, riiiiiiiight?

- I immediately flashed back to John McCains' appearance on the last pre-election episode of 2008. It was pretty obvious that he was there to loosen up and have fun as even HE was aware he was likely going to lose that election. I certainly didn’t want anyone heading into a potential Kamala Harris cameo with that mindset (after all, if I were a supporter of TFG I wouldn't still be watching the show closely enough to be able to maintain this intensely detailed blog about it, would I? I mean, HE hasn't even TWEETED about it in at least five years). Speaking of...

Last Campaign Stops

- JAJs' Trump ramble seems a bit sharper, more biting and focused than normal. Getting their potential last possible jabs in before the show goes off the air, I see?

- ...and the Dem Ticket Cameo Crew comes in to lay on the schmaltz and slow the momentum a bit, I see. I liked Carveys' "riff" line and Sambergs' "Doug" lawsuit joke, but that was it. Also, it's strange to hear just the word "Twitch" alone get a round of applause, but...OK.

- I see the Kamala cameo is amounting to...literally just the Clinton/Poehler cameo of March '08 but just done 3 Coolidges 3 mirror style. I was a little disappointed at this being the conceit of Kamalas' cameola...yeah, Ok, I'm not gonna try to riff on that part but I will say that the real Kamala did make that "open doors" line land better than it had any right too.

- Still, for something that was obviously written and conceptualized at the last possible minute after the cameo appearance was arranged like, a day or two earlier, this was a nice sincere moment that I ultimately can't get too mad at in the moment (and I don't really see too much for Twitter to get mad at right now either). 

- I know there is a real sense of mutual love and respect for one another between Maya and the current vice president. I can see this as the real Kamala just wanting to unwind for a night and have fun before possibly the most tense moment of her entire life next week. 

- Depending on what happens on Tuesday night, we could turn a more critical eye to this later on, but for right now, I'm not gonna be too hard on it. C+

Monologue 

- Gee, I feel a bit worse for Mulaney having to follow that than I should've. Him starting off with a riff on "descending height asians" didn't exactly put me at ease.

- While this one didn't exactly charm me as much as Mulaneys' previous five SNL host monologues, I did genuinely laugh at his "hand bandaid/traditional catholics/118 year old grandpa jokes." His "physical therapy" bit was charming as well. C+

What's That Name? Election Edition

- Ok, the way they used this as the framework for the actual Tim Kaine cameo and Squirms' Margaret Atwood in service of stinging jabs at the emptiest, most overly performative kind of liberalism makes up for the "Longfellow filling in for Hader" thing.

- Don't get me wrong, I like seeing Lomgfellow get the game show host roles for as long as he can get them. He just may not have the timing or the stage presence that Hader bought to these sketches. This dragged in some spots, but that's not necessarily a dig at ol' Mikey Longs here. I'm still just as glad to be in the Longfellow business as anyone. 

- Jon Schneider raised an interesting point I hadn't considered in his latest SNN hot take show for this episode that the placement of this sketch right after a sincere emotional moment with the actual democratic party candidate currently running makes the jokes hit harder. B+

Midnight Matinee: Beppo Goes Home

- This was a long journey, but I really appreciated the focus on thoroughly unexpected sweetness over cheap gore and shock value. This is what the Squirm/Dua Lipa Elephant Man short from May should have aspired to be. 

- I think "Midnight Matinee" has more than earned its place in the SNL pretape pantheon with this short. I just hope if Dan Bulla keeps making "it's about the journey, not the destination" style comedy his WHOLE thing he branches out a little more in terms of how to pull off exposition. B+

Port Authority Duane Reade Milk Medley

- Ah, I should've figured another NYC centric musical medley would be what Pete Davidson cameos for.

- This was as much of an unfocused mess as most of the rest of these, but I still liked it better than "Subway Churro". 

- Kenan struggling not to break through parts of the Possum Lion King number was perhaps the best part of...that number. I wasn’t crazy about the "bum fights" joke.

- Sadly, Marcello as singing shampoo was my least favorite part of this. Pete and John calling each other by their real names were the funniest part of that one. 

- Bowen singing "Master Of The Bus" to "Master Of The House" was...well performed but not something I knew what to make of right away. Was that Pete who giggled loudly upon Bowens' entrance.

- Chloe singing "Chalamet" to "Cabaret" is something that probably should've been more hated if it weren't the best possible use of her Timothee Chalamet character (I can hardly call it an impression)

- I liked seeing Devons' Eric Adams again, but the "Prince Of Turkey" number was lost on me.

- Andy Samberg singing "Baby Bear Carcass" to "Alexander Hamilton" was the best possible way to end this. Too bad the lyrics to that closing Grease parody were swallowed up by audience applause. C+

Weekend Update w/Jost & Che

- I liked Josts' "audited" joke but wish he could've gone a little darker with it. His "Yankees fans stealing" joke was solid. Plus, he addressed that Kill Tony/Puerto Rico controversy in the classiest way the show possibly could (for better or worse). Che's "MSG rally" jokes were...serviceable but his "popsicle" joke was possibly the most soul crushing thing I've ever witnessed on a 21st century Weekend Update.

- Heidi's Reba commentary was a mess, but she had decent lines in it. That impression was way the hell off (her voice ain't that deep) but I liked the Gwen Stefani/methodist-athiest/papa Pennywise jokes.

- The Marcello/Jane pairing was stronger than it had any right to be. I mean, I probably laughed more than I should have at what amounted to "Marcello turns your eardrums to fine powder while Jane is ten times mousier than normal" but somehow they both pulled their weight to put this over for me.

- I see that Pete didn't appear on Weekend Update at all...and I didn't see Jost during the goodnights at first glance. Hmm, doesn't do much to squash those rumors of beef between the two, does it? B-

Sitcom Pioneers: Family Bonds 

- Ah, a "Switcheroo" retread? OK, let's see where this goes.

- Speaking of performers putting things over way more than they had any right to be put over, Kenans' Little Richard was quite fun here. I mean, I've seen better Little Richard impressions in sketch comedy, but Kenans' was very unique to him, and it livened up this sketch quite a bit.

- The only real complaint I have about this is that the Bowen/Mulaney scenes dragged a bit and hurt the pacing. I thought this was a fine "Switcheroo" sequel even if it didn't quite measure up to the densely packed writing of the original. B+

Harvey Epstein For City Council

- This comes across as a direct cross between Jon Hamms "Pat Finger/Deldeaux" and Will Ferrels' local candidate who had his genitals burned off in a fire from season 24. I liked those sketches, and I liked this too.

- Mulaney really sold the hell out of this (and I say this not having seen any footage of the actual Harvey Episode Mulaney is impersonating here) with some assists from Heidi, Sarah, Andrew & (thankfully) Ashley. They didn't have to do too much heavy lifting here as the writing behind this was strong enough to support it. B+

Ranking The Season (Best To Worst)

1. Nate Bargatze/Coldplay (10.05.2024)
2. John Mulaney/Chapell Roan (11.02.2024)
3. Ariana Grande/Stevie Nicks (10.12.2024)
4. Michael Keaton/Billie Eilish (10.19.2024)
5. Jean Smart/Jelly Roll (09.28.2024)

Ranking Each John Mulaney Episode (Best To Worst)

1. John Mulaney/Thomas Rhett (03.02.2019)
2. John Mulaney/Jack White (03.14.2018)
3. John Mulaney/LCD Soundsystem (02.26.2022)
4. John Mulaney/Chapell Roan (11.02.2024)
5. John Mulaney/David Byrne (02.29.2020)
6. John Mulaney/The Strokes (10.31.2020)

Overall Thoughts 

- For better or for worse, this IS the first time that SNL season 50 felt like the exact type of "event" it deserved to be in 2024. The show was still a bit uneven writing wise but the energy in the studio was the highest it's been all season at this point (even as much as that's due to Mulaney being hyped up as host and certain other cameos).

- John Mulaney did a fine job hosting as expected (as seriously "hands off" as he felt this time), but this episode is better viewed through the lens of season 50 and the history of elections playing out on the show than among the all time pantheon of John Mulaney hosted episodes. It's definitely going to be better remembered as a big "of the moment" episode for its time (like his 2020 episodes were but in a much less dire way) since it lacks some of the more unique comedic experiences that made Mulaneys' early episodes (and his second to last one) stand out as well as they did. 

- The few attempts to call back to the recurring sketches he first helmed as a host mostly fell flat and came up empty. Still, the few highs were decently high this week (again, mostly energy more than writing) and the lows were merely "mid".

- Cast airtime feels slightly imbalanced but this week, but that's mostly due to Mulaney and outside cameos dominating the show paired with Ashley and (now sadly) Emils complete underuse in live sketches (at lesst Ashley delivered one of the better standalone lines in the back half of the show). 

Closing Thoughts

- Well, that was the energy and enthusiasm boost this show needed to help push season 50 over. SNL may have just earned it's keep.

- Next week, Bill Burr hosts for his second time, and I know I'm not alone in stating that I'm so relieved that they didn't make a worse choice here.

- I may have to reevaluate Burrs season 46 episode. I remember liking what Burr bought to the show, but I also remember still having ranked it at the bottom of my rankings list from that season while othersI know ranked it at the top. Keep in mind, this was still the second episode ever from that season so that just may be me not being used to the far less electric, much more muted vibes that a limited, masked socially distanced Covid era audience bought to the show. 

- Maybe THAT audience just didn't know how to react to him in sketches. Oh, well. Maybe a full audience will elevate him and help him push through some potentially awkward and REALLY dead energy to come (God forbid it comes to that). See you then!

Natasha Lyonne/Japanese Breakfast (5.21.2022)

Okay, here's my review. This is a finale that was made for the Twitter stans and the Twitter stans only. Yes, Kate, Aidy and Pete did get the lovely goodbyes they deserved on air (Kyle is also leaving and he could've got something too but it's not like he was one of the cast members whose presence on the show required a big blowout send off) but other than that this episode seemed wildly unfocused and uneven. Natasha Lyonne showed endless promise as a host which is a shame since she only got to be used very sparingly throughout the show. I fully understand this wasn’t going to be a regular finale where the host was reasonably in focus but I still expected the show to use her more than they did. The only reason any other cast members got on was mostly due to one of the pretapes I'll get to later but still kudos to JAJ at least for managing to have a stand out night. 

Before we go any further, I want to say that I don't want to sound like I'm being too hard on Kate, Aidy, Kyle or Pete on their last shows or anything just because their goodbyes didn’t hit me as hard emotionally as some of you who may be reading this. I do feel the show has been misusing their talents so much in recent years that I'm less sad to see them leave SNL and more just relieved to see them finally get the opportunity to move on and pursue bigger and better things full time. It's more that this season in general has left me burnt out with the way it concluded after starting out with such promise in the beginning. Anyway, let’s get down to it.

Colleen Raffertys' Final Close Encounter - Wow...interesting choice to have this as the actual cold open. I wish I could have more of a reaction to this beyond how impressed I was that they closed this season with a non-political cold open (although that establishing Pentagon shot was an impressive fakeout) but these always kinda washed over me. Still, I guess this was to be expected tonight seeing as we finally got hard confirmation that two performers in this scene will not be returning in the fall and these characters certainly have their fans. This sketch seemed to have been written a bit differently than the others though (while still suffering from an acute version of palpable Debbie Downer syndrome courtesy of Aidy). I did like Natasha's line (who is an interesting fit for this sketch) about the Pentagon being her favorite shape and Kate's lines about her "wonderwear" and Yankee Stadium lines. I especially liked how the ending tried to bring some closure to this characters' storyline (the whole sketch felt oddly subdued up to that point). Incidentally, it's nice for me that we get some official confirmation that this characters full name is actually "Colleen Rafferty" as I just remembered I went to high school with a girl who had that exact name and I am genuinely curious what she has been up to all these years later. B+

Monologue - Natasha is the second female host in a row to bring an odd low-key energy to her monologue. Thankfully, Natasha bought something fresh, worthwhile and non-frustrating to her monologue. It felt different than pretty much any other SNL monologue I have seen because it as catered to Natashas' life and career as they could pull off (nice of her to show us the origin of her Twitter profile pic, btw) and written in a way that only she could deliver. She kept this entertaining enough to justify this monologues' seemingly longer than normal length. The half-expected Maya and Fred cameos went better than they had any right to (especially Fred given both their history together and just...Freds' history with women in general) and I officially declare Maya Rudolph the winner of the Natasha Lyonne impression-off. The one thing I am still left wondering is if the real Natasha's "I also wish I was Harry Styles" comment a reference to a possible reference to Styles originally being booked as this episodes host but having to drop out last minute due to the concert he was putting on elsewhere in New York last night or just a reference to the show simply being aware of that pocket of Twitter pretty much praying through the knees for Harry to have been in both Natashas' and Japanese Breakfast places tonight? B+

Voters For Stupidity - At first, I liked how this was just going for sheer gleeful silliness but it got muddled a bit by its own surprise political "message" at the end and I was suddenly a bit soured on it. This started out well with a series of rapid fire gags (some of my favorites included Cecilys' unnecessary voice box/stained glass window joke/bubble blowing, Kenans facial expressions and cat/horse drawing and the use of JAJ in his role in general) but after a certain point it just felt all for nothing. C-

Yankee Stadium, 1951 - As soon as Natasha uttered the word "methamphetamine", this felt less different than the original sketches we've been getting in this era. Still, it was worth watching to see just her absolutely swing for the fences (if you'll forgive the expression). I also liked the continued use of JAJ in non-impression roles. Otherwise, it reminded me too much of the BBC soccer announcer sketch from Idris Elbas' 2019 episode. That wasn't necessarily a bad sketch but I just don't like being reminded too much of a previous sketch when i'm expecting something different and original. B-

Treece Hendersons' (Possible) Farewell Performance - Aside from this being an oddly fitting choice of farewell sketch for Kyle Mooney, I don't think we really needed to see this again. I didn’t mind seeing Chloe or Natasha dragged and dropped into this template at all and I didn’t mind seeing this hit all the same beats that these odd Kenan sketches usually always hit but still, my night could’ve done without it. C-

Places We'll Go - Wow, I loved the real low-key "theater of the mind" approach to this with Dismukes' narration but I feel like there could've been a few cuts made to keep this from feeling too telegraphed and "samey". Still, I understand how both the sheer size of this cast and the nature and timing of this piece necessitated it being a full cast showcase. This felt like it succeeded where the Zoe Kravitz wedding toast sketch with Kyle and Cecily failed. B+

Update once again had Che come out swinging with Jost only catching up with those Liz Cheney/Florida student jokes (and he just HAD to follow those up with those Trump/Segal/Swift jokes that HAD to have been cut from some dress rehearsal from 2016, right?). I would’ve rather seen Alexs' Guy Who Just Bought A Boat than Kate's Dr. Weknowdis (even though it's the more appropriate choice for tonight and the exact thing I thought Jost was setting us up for) but the only things I took away from it were Alexs' "this is the worst thing that happened in Germany" joke and Josts' sudden "people are visibly ill" joke. I understand that this is Aidys' last show, too but it feels way too soon for her and Bowen to bring back their "trend forecasters" since they were just on last month. Still, I genuinely did like the "time/greeting" trends and the "future trends" was a sweet way to end this (but if they were gonna bring back Che being "out" I would’ve appreciated it more with some more definite confirmation that this WAS going to be his last Update). Speaking of, Pete's official goodbye was perhaps my favorite of the entire night. I was thinking about which of his season finale commentaries I liked better between this one and the last one and I think I liked this one better because with this being the confirmation of Pete's last episode, the tone of it felt more sincere. I especially liked how he called out FOX News blatant hypocrisy and cognitive dissonance over the Crenshaw matter. As much as the Oscars slap is a beyond tired topic I like how subtle Pete's Trojan horse like segue into it was and his Lorne impression was a nice addition. Honesty, the only thing I didn’t like about this commentary is that it ended Update and thus deprived us of our possibly final joke swap ever but it might be more Alex's fault that we didn't get one. B-

9:15 To 5:10 - I liked this as a showcase for Heidi and Ego and eventually I got on board with the whole noisy, senseless, unrelenting chaos vibe this went for (in spite of Fred's presence in what one could say is a sketch seemingly designed to make its performers break) but I imagine the people that hated the Benedict Cumberbatch fainting couch sketch are really gonna hate this! Still, it felt less "old variety show camp for the sake of camp" and more "Tim And Eric try their hand at directing local Branson dinner theater". My only other real complaint is that the writers seemed unable to settle on wanting this to be a parody of "9 To 5" or "Weekend At Bernies'". They made a real mistake giving us a shot of Natasha in a mustache and suspenders during the commercial break. They were really setting us up to be disappointed based on that. C+

Grey Adult Pigtails - Hmm...from the opening shot of Melissa, Chloe and Sarah I was expecting more of a "long overdue passing of the torch moment" than just an Aidy & Kate two hander advertisement. Still, it was short and it was the last of these we will ever be seeing. Heidi and Natasha fit the vibe of this sketch well. Weird sketch for Kyle of all people to go out on, though (and Aidy and Kate now that I think about it given the lack of emotional significance this seemed to convey but then again, something was obviously just cut...probably the Pete/Eminem "Forgot About Lorne" video that was put up on IG/YouTube which while uncomfortably reverent toward Lorne and kinda soured by Marshall's cameo was better than a lot of what made it to air and hearing about the original cold open from dress made me realize they cut a lot of the wrong stuff from this episode which was another thing this one had going against it). Honestly, Japanese Breakfast was the big highlight of this for me given her being the absolute last of this season's musical guests I would ever expect to appear in a sketch and absolutely killing it in her part. B-

Now, for my final rankings of Season 47 of SNL.

1. Jason Sudeikis/Brandi Carlile (10.23.2021)
2. Keiran Culkin/Ed Sheeran (11.6.2021)
3. Simu Liu/Saweetie (11.20.2021)
4. Billie Eillish (12.11.2021)
5. John Mulaney/LCD Soundsystem (2.26.2022)
6. Oscar Issac/Charli XCX (3.5.2022)
7. Benedict Cumberbatch/Arcade Fire (5.7.2022)
8. Lizzo (4.16.2022)
9. Natasha Lyonne/Japanese Breakfast (5.21.2022)
10. Selena Gomez/Post Malone (5.14.2022)
11. Jerrod Carmichael/Gunna (4.2.2022)
12. Jake Gyllenhaal/Camilla Cabello (4.9.2022)
13. Zoë Kravitz/Rosalía (3.12.2022)
14. Paul Rudd/Charli XCX (12.18.2021)
15. Jonathan Majors/Taylor Swift (11.13.2021)
15. Rami Malek/Young Thug (10.17.2021)
17. Willem Dafoe/Katy Perry (1.29.2022)
18. Will Forte/Måneskin (1.22.2022)
19. Ariana DeBose/Roddy Rich Bleachers (1.15.2022)
20. Owen Wilson/Kacey Musgraves (10.2.2021)
21. Kim Kardashian-West/Halsey (10.9.2021)

Well, it's obvious we've truly come to the end of an era for SNL once and for all. At this point, we have the rest of the summer to wait for news of any further cast member departures than what we just got. There's a chance we might get some new additions as well, but with the cast size still as large as it is, I think that would be truly unnecessary. More cast members would still make it almost impossible for underused newer players to get airtime. I mean, it would be intriguing but the promise of the show being left in its most capable and creative hands (with its own featured players moving on up) is enough to make me want to keep this blog going into next year (or at least just not want to announce MY immediate retirement from SNL review blogging this year). See you all next year!