Jacob Elordi/Renée Rapp (01.20.2024)

Okay, here's my review. This was a bad show, no doubt but it was just a little too inconsistent to be the absolute worst episode of the season compared to one show that was just consistently duller and one episode that I can now say I may have been a bit too hard on. Still, when a show is bad enough that I have seriously rearrange my rankings of the whole season (as you'll see), you know things are bad all around right now. Jacob Elordi manage to confirm me initial trepidations regarding him as a host. He seemed to get along with the cast just fine yet at the same time he seemed to have no real connection with the show until this week and seemed to see it as just a high profile sketch workshop that he could use to plug his new movie. He may be a fine character actor but he didn’t seem to be able to translate that into sketch comedy. His entire comedic range seemed to extend from "just there" to "quietly yet actively bringing down a sketch". At least this episode made decent if not ideal use of the cast (outside of Longfellow and Kenan, who both seemed to blend into the background more than usual and JAJ who barely got to do any character work this week). Anyway, let’s break it down, shall we?

Trump Defamation Trial Press Conference - Hmm, another safe pbvious choice for a cold open theme. At times, this felt a little too unfocused to take in all at once but JAJs' goofy delivery put this over for me as usual (though I guess that's usually the point with these JAJ Trump cold opens by now?) I did like the Ron DeStupid/Vivica A. Ramaswany/cognitive run-on sentence. Yeah, this seems topical enough that they must've felt like they HAD to tackle this month's Trump news in some way (while still having a bit of an unfortunate "been there, done that" vibe to it loke with the "weird stance" jokes) but hey, they're shaking off the cobwebs from another long holiday break and there have been much worse cold opens this season (hell, there have been worse cold opens involving JAJs' Trump than this one) so, hey..I'll take it. C+

Monologue - Just when this monologue starts to give me disappointing Nancy Kerrigan vibes, Rosebud Baker, Alex English and Queen Squirm come in to save this with some assists from Kenan & Bowen (and hopefully not as much of the "Applause" sign as I suspect). Thankfully, this quickly gave me flashbacks to the late 90s Ferrell & McKay era "questions from the audience" monologues when they cared enough to use writers who were then just unfamiliar enough to most of the home audience (your Pells, your Feys, your Higginses, even moving on to your Smooves & you Sudeikises once Fey became more prominent on the show...hell even Downey was in the one with Kelly Ripa, remember that?) to really SELL us on the illusion that ANY audience member could just stand up and interrupt the show willy nilly. As for Jacob himself, the Saltburn/Priscilla/Lilo & Stitch/Kissing Booth references gave off the same empty, autopilot checklist vibes that most of the top half of Pete Davidsons' episode this season gave off as well as every third cold open from seasons 43-46 gave off. The sincere statement at the end of his monologue was really the only part of HIS I liked, even if he gave next to zero indication he had even heard of the show before last month (since, y'know...he is Australian after all). B-

Crown Your Short King - My first impression of this sketch was that the joke must be that this is the absolute LAST sketch you would expect Jacob Elordi to appear in...until he actually DID and you realize that (even as shamelessly wedged in here and underwritten as this whole thing was) this sketch actually DID need him to help visually sell you on this entire premise while playing off some lame, tired dumb guy tropes (and maybe take some of the weight off of Mikey & Marcellos' shoulders and distract you from Molly sticking out like a sore thumb here). Even Ms. Fineman had very convincingly heartfelt dialogue here, which feels like something we haven't seen from her before. C+

Club Shay-Shay: Extended Katt Williams Interview - Ego didn’t disappoint here even if she didn't exactly disappear into the role of Katt Williams either. The idea of her as Katt Williams alone piqued my interest, but the sheer energy that an Ego/Devon pairing radiates alone was more than enough to engage me in this. Thankfully, Ego bought some CBB levels of absurdity here and lived up to my instant expectations. Still, I could've used a bit more here to keep me from wondering why this was as long as it was and whether or not this was considered "old news" by now. While I don't want to see Ego fall into the Kate/Aidy/Cecily trap of being forced to play too many male drag roles, this falls more in line of how I would like to see Ego used om the show when compared to Lisa From Temecula or that Jenna Ortega Excorcist sketch. B-

ET Interviews Lip Readers - It's odd but not surprising that they put both vaguely of the moment pop culture referencing sketches up top back to back like this because this was drastically weaker than what just aired before it. Seriously, this was a translucently paper thin premise that felt so drearily stretched thin that I swear it could've been a season 11 sketch. Yes, that's the actual vibe I got from this. I'm honestly shocked they couldn't come up with a better sketch to drag-and-drop the obligatory Renée "Mom: We Have Billie Eillish At Hone" Rapp into but hey...this felt right at home being aimed at the audience who tuned in just to see her, Jacob and Bowen! Good on the two guys for pulling their weight here but not even Jake pulling a "duh duh dumb guy" voice out of his pocket for Travis Kelce or Bowen suddenly singing a Streisand verse out of nowhere could get me. D+

Bowling Date Animations - I guess part of the reason the last two sketches at least felt so long was that could tell exactly where this was they needed the extra time to make sure half the cast could get into their bowling pin costumes in time (and half of THAT half of the cast were in the previous two sketches?) Anyway, although I knew exactly where this was going before the first ball was even rolled, I loved how labored and increasingly dramatic the punny reveals were here. The "gutter/9" ones really got me, and I liked the "foot on the line/have sex" twists, too. The "WGA" signs being in the background of the "strike" one felt a little too on the nose for me. Also, I feel kinda bad for him that this was Longfellows' first and seemingly only appearance all night. I'm glad to hear that this was one of the sketches that Stephen Castillo came back to (guest?) write. No wonder it was the only thing I genuinely laughed at all night. (Was this cut from a previous dress rehearsal? It felt oddly familiar to me? Seriously, was this a cut sketch from season 46 he resubmitted?) B+

Alaska Airlines - At first, this felt like it was going to be in the same vein as the Adidas/Kanye ad from last season (which I honestly had mixed feelings about) but this included just enough odd details to keep me from completely checking out, like the thicc safety brochure, inflatable slide and pilot on mushrooms. JAJ as Sully was a nice touch. The bolts joke reminded me of Norms "Disneyland/Extra-Terror-estrial" joke from one of his season 20 (IIRC?) Updates. B-

Update was almost entirely worth watching for the way they went as hard in the paint on Tim Scott, the Catholic Church and Nikki Haley for her "America was never a racist country" as they did. I did like Josts opening Trump Vs. Biden joke. I mean, I didn’t exactly LAUGH but I sadly identified with it (and with political election humor in 2024...hell, even going back as far as October 2016 if I'm bring real with y'all...that's as much as I can muster). I felt the same about his "50 y.o. net worth vs. 30 y.o. net worth" joke but for totally different reasons which I won't go into here. Anyway, as much as I appreciate seeing Punkie get airtime, her "flying defendant" commentary didn’t quite...land with me (pun unintended, but I'll stick with it just because it works). It's mostly that I didn't care much for the material (as much as she sold it) and partly because BOTH black women in the cast playing male drag roles felt like overkill. C+

Women Supporting Women - Well, at first I felt like I could've fully get on board with THIS being the obligatory "all the women in the cast get to drool over the conventionally attractive male host (and I do mean "all", Ms. Fineman...you already had your chance, please let your castmates have their moments)" sketch but thankfully this was saved for me by Ego, Molly, Squirm and Punkie (again, if I'm bein' real with y'all). Too bad Mikey almost ruined the whole sketch for me. C+

Acting Class - This truly felt like the least focused sketch of the night. The Day/Fineman "pimp vs ho" scene was funny enough but sadly that was the absolute peak here. Sorry, Bowen but Bobby Coultsman you are not. I'm glad that Rachel MacAdams was used in an actual sketch instead of just a musical guest introduction (even if her late entry into the scene, seemingly reading cue cards she just saw for the first time on air Stefon-style and delayed applause break once the notebook was mentioned kinda threw off the whole sketch), but sadly, this dragged to the exact point where she killed any momentum this sketch COULD’VE built up. Once Jacob showed up and stiffed his way through his lines, things didn’t exactly improve. Not even that "beat your illness/make-a-wish" joke at the end could save this sketch. It's funny that this sketch chose to name drop Selena Gomez a couple of times because this sketch reminded me of the high school modeling sketch from her episode a couple of seasons ago only this was more stretched out, dilluted and cut with bits of the Women Supporting Women sketch that preceded it...and also that Aubrey Plaza director sketch from a year ago...and, do I detect a hint of that Lin Manuel Miranda high school substitute sketch from, Jesus, seven and a half years ago? Really? C-

Garrett From Hinge II: Hinge Garretter - Oh boy, well... I know a lot of you didn’t like the first one of these, so I imagine this didn’t go over well. I'll admit the first one of these somehow became a guilty pleasure of mine, but despite being a fine use of Ms Troasts' performing talents, this was a bit of a letdown. Still, I liked the visual of an elderly church organist also wearing an open lavender button up over a Stewie shirt. I actually did chuckle a bit at Jacob and JAJs' Lois & Cleveland impressions as well as the absurdity of Garrett disappearing into a Christ portrait (even if the technical reveal was blown a bit). C+

Now, for my updated ranking of season 49...

1. Nate Bargatze/Foo Fighters (10.28.2023)
2. Adam Driver/Olivia Rodrigo (12.9.2023)
3. Kate McKinnon/Billie Eilish (12.16.2023)
4. Timothee Chalamet/Boygenius (11.11.2023)
5. Emma Stone/Noah Kahan (12.2.2023)
6. Bad Bunny (10.21.2023)
7. Pete Davidson/Ice Spice (10.14.2023)
8. Jacob Elordi/Renée Rapp (01.20.2024)
9. Jason Momoa/Tate McRae (11.18.2023)

Well, that was certainly one way for SNL to ring in the new year. Next week, Dakota Johnson returns for her second time hosting with Justin Timberlake for his sixth time as musical guest. I'm glad I'm not alone in saying I don't have a lot of confidence in this one, but I see some hope. Dakota may have basically sleep walked through her season 40 episode but the cast and writers did just put all their effort into the highly successful 40th anniversary special two weeks earlier so they can all at least share the blame there. Plus, we're getting post Vanity Fair lime/Ellen interview era Dakota hosting so if nothing else I have no doubt that she can singlehandedly stop another Barry Gibb talk show from happening (or any Fallon/Timberlake sketch we didn't need to see again in 2013 let alone 2024). I know only being billed as a musical guest has not necessarily stopped Justin Timberlake (or anyone really) from appearing in sketches on this show but hopefully he can be kept in check by some combination of his own current pop cultural irrelevance and lack of goodwill and Dakota Johnsons' increasingly endearing bluntness and sheer compulsion to shut down other peoples bullshit (including her own). See you then.

Ana De Armas/Karol G (04.15.2023)

Okay, here's my review. This show met my expectations and defied them all at once. I ended up coming around on Ana De Armas and she was the wonderful host I expected her to be. The show fit her like a glove. They knew exactly how to write for her and she was clearly overjoyed to be there. They also made some changes to the shows established format which, while exciting to see at first, didn't quite distract me from some of the pacing issues that resulted. The show felt uneven since they gradually went back to some of their old writing tropes and began recurring previously established thin premises from the previous era that should've left behind. You'll see what I mean by all this in a moment when the review of the actual show starts proper. Still, the sheer levels of energy made up for this, and while I can already see it was a divisive show to some, I certainly had fun watching it. There was a nice cast balance tonight. While nobody seemed to get shut out if the show entirely, JAJ and Dismukes seemed to have each only made one appearance all night. Anyway, let’s just start since there is a lot to break down tonight.

First Warm Day Of The Year Red Carpet Show - Wow...what the hell was the cold open in dress, and how badly did it bomb for them to scramble and bump this up top? Still, I say that with love as it's a shrewd choice and a very welcome change of pace to open the show with this. It's truly gratifying to see a light, breezy, non-topical, not too long cold open that doesn't actively drain the shows' energy up top after years of our pleas for such a thing seemingly falling on deaf ears. The JAJ/Mikey Longs and Devon/Punkie pairings are my favorite so far. Kenan & Sarah kinda overshot whatever they were going for, and it didn't really work for me. I did like how they made Ego/Dismukes and Marcello/Day into their own separate mini-runners in this. I also liked that this was accessible and not too much of an inside joke for another "weird/obnoxious New Yorkers we saw in the park" sketch. B+

Monologue - Nice to see Ana address the language barrier in a charming and not too self effacing way. I know when I drew comparisons to previous hosts in last week's blog, I mentioned the names Sofia Vergara and Gal Gadot, but she immediately seems more in control and at ease than those women. Part of me doubts that the "beg your pardon/acting class/Robert Deniro" stories are true, but the way she carried herself in this monologue left me not thinking too much about that. This felt a little long, but I think they gave Ana exactly what she needed here. She was the perfect host to bring back the "sincere personal monologue" trend. B+

The Dome - Well, Joe (or Bill whichever one of you this applies to), there goes your "Margot Robbie hosts the season finale" theory, but your "this is Mikeys' last season" theory still absolutely holds water for the time being. Maybe Mikey knows who the last two (as of right now tentatively) scheduled hosts of this season are but obviously can't reveal them. Either the last two hosts are men or Ana De Armas is the last host this season who is a glamorous, beautiful Hollywood actress or Mikey is operating under the assumption that the upcoming writers strike is definitely happening. Either way, I can see why he had to do this now instead of the finale. He had to strike while the iron was hot (pun somewhat intended). Anyway, this was a nice way for them to Trojan horse a third Matt Shatt on us. I appreciated how this was different from both of the previous Matt Shatts, but I was still a little disappointed with the setting for this one. When I saw that this was a game show titled "The Dome" for some reason I was half expecting a parody of "The Wall" (which is inexplicably still on the air on NBC right now) so I was hoping to see some physical challenges just for the sake of a drastic change to the Matt Shatt formula. Sadly, this never came to pass and I ended up just setting myself up for failure. Still, the multiplying nipples got me. B-

American Girls - Even though SNL has been doing too many American Girl based sketches lately (which is something I've never been deep into the lore of but thankfully didn't need to be for this) I did like the very grim and detailed "writerly/gallows humor" nature of this sketch, but it seemed to have some serious pacing issues. It seemed like it was absolutely dying with the audience during each moment when Ego (who seemed like she should've been carrying this sketch), or Molly, or Sarah weren't delivering their lines. C-

Young Spicy Sessions - When you really break it down, this was basically the most overused, played out sketch trope in recent SNL history ("inappropriate responses to a seemingly innocuous prompt") but this more than got by on sheer charisma. This was one of Egos' better showcases in a while, but Devon was really the glue that held this together. He seemed completely in his element here, and I liked his line "you leave my Corolla our of this." I also got a kick out of the implications that he may have a learning disability and should be on a watchlist for drugging women. B-

Spanish Transfer Students - Even if this felt like an inverse of the inner city school sketch from the Megan Thee Stallion episode but with Mikey Day doing his usual Mikey Day shtick added in, it was perhaps the perfect vehicle for both Marcello AND Ana (and Karol G). I did like how lived in and sincere they made this feel without it coming off too "pandery." Still, it felt like it could've been tightened just a little. B-

PDD: Hangxiety - This was pretty much the Please Don't Destroy take on the "Holiday quick cuts" trope we've been seeing reoccur since season 42 but the performances along with the lack of saccharine family get together "cutting the tracle" vibes put this over for me. John Higgins and Chloe opening fire got the most laughs out of me along with the interactions between Heidi/Bowen and Ben Marshall/Mikey Longs. They probably should've rethought the ending with Mikey Day, though. C+

Update was, once again, mainly worth tuning in for the commentaries. I didn't even mind the Discord jokes (they didn't apply to me or anyone I interact with on Discord), but I kind of wish that leaked document scandal wasn't the context for the first ever mention of Discord on SNL. The only other jokes that stood out to me were Che's Tim Scott/Rat Czar/missing alert system and Josts' litter campaign jokes. Kenan as Funky Kong turned out to be more fun than I was expecting it to be. I mean, the visual if Kenan in a gorilla suit was a little...unsettling...but by the time he got to "booty cheeks/titty meat" and had possibly genuinely botched that "Monkey Kong" line I was as fully on board with it as both Jost and Che seemed to be. I liked Sarahs' meditation expert a lot. It may have just been an excuse for her to burn Jost again but less elaborately and more in character/less as "Sarah" but I was just relieved to hear Colin set up this commentary with the phrase "with mental health struggles on the rise..." and NOT see Bowen come out (Mikey Longs would've been a'ight, but maybe he needs to slow his roll for a minute). The true highlight of this Update was Molly Kearney as Molly Kearney. They delivered the same type of sincere personal political statement that Cecily (and at one point Aidy) pulled off successfully but did so in a less harrowing and confessional and more flashier and showier but also more positive, encouraging, cohesive and uplifting way (both literally and figuratively). B+

Lisa From Temecula - Well, I guess we willed this one into existence whether we meant to or not. I have to admit, I was a bit more into this one than I was the first one (maybe because Ego affected a much goofier Kenan-like voice and the breaking was a bit more under control despite what appeared to be Egos' best efforts) but this still appears to ve suffering from Debbie Downer syndrome while lacking variance at season 35 levels. C+

Enter Stage Woof: Acting School For Dogs - There's no way in hell you can convince me this WASN'T a leftover script from a Cecily/Aidy sketch from season 45 that got cut at the table read. This felt like the first sketch all night that Ana De Armas was truly an odd fit for, but I will say Chloe handle the inevitable mishaps like a pro and Punkie had the funniest lines on the whole sketch. C-

Nail Salon - After the last few character showcases Bowen has given us, it's nice that we got something that was more reminiscent of his "choking victim poster" sketch with Scarlett Johansson from season 45 (even if it's delivered with the hamminess that season 48 Bowen can't seem to leave behind for very long). I honestly didn't mind his midwife sketch from a few weeks ago, and this felt like a slightly scaled back version of that.I didn't hate that random Family Guy-ish Twilight reference, but it felt a little too forced. C+

Now, my latest ranking of the season so far...

1. Aubrey Plaza/Sam Smith (01.21.2023)
2. Michael B. Jordan/Lil Baby (01.28.2023)
3. Dave Chappelle/Black Star (11.12.2022)
4. Steve Martin & Martin Short/Brandi Carlile (12.10.2022)
5. Quinta Brunson/Lil Yachty (04.01.2023)
6. Ana De Armas/Karol G (04/15/2023)
7. Molly Shannon/Jonas Brother's (04.08.2023)
8. Keke Palmer/SZA (12.03.2022)
9. Jenna Ortega/The 1975 (03.11.2023)
10. Travis Kelce/Kelsea Ballerini (03.04.2023)
11. Austin Butler/Lizzo (12.17.2022)
12. Jack Harlow (10.29.2022)
13. Pedro Pascal/Coldplay (02.04.2023)
14. Woody Harrelson/Jack White (02.25.2023)
15. Brendon Gleeson/Willow (10.08.2022)
16. Miles Teller/Kendrick Lamar (10.01.2022)
17. Amy Schumer/Steve Lacy (11.05.2022)
18. Megan Thee Stallion (10.15.2022)

Well, that may not have been the ideal season finale for me...but there was fun to be had. The next announced episode doesn't sound like my ideal episode to even..
air or exist but I'm still holding out hope that the WGA can successfully negotiate another contract to get the pay they deserve and to give this season the proper finale it deserves (as of this writing the final two hosts and musical guest lineups of May have yet to be announced, so...who knows?) Barring the possibility of another Writer's Guild Of America strike, Pete Davidson will make his hosting debut in two week's time. That's right, Pete Davidson will be the first of the departing class of 2022 (less than a full year after he left to be exact) to return to the show (for a full length hosting gig, not just a surprisee unannounced cameo). For some reason, the words "TOO SOON" keep flashing in my head like an old, unprogrammed VCR constantly blinking "12:00" over and over again. I honestly can't say I can see how he would even fit into the show now despite the minimal changes made since his departure (mostly because he barely let us see how he could still fit into the show in his last season since he had multiple different reasons not to be there for his own personal well being) but I will say the trailer for his new Peacock series "Bupkis" looks...decent, so...if he had to host so soon at least it's to promote something that looks worth promoting. (Wait...a cast member hosts for their very first time just to promote a Peacock series? This might be just like the Will Forte episode from last season all over again! That doesn't exactly fill me with confidence either). Oh well. See you then!

Molly Shannon/Jonas Brothers (04.08.2023)

Okay, here's my review. Some people were a bit lower than me on this episode as a whole. They were underwhelmed by it but it worked just fine for me simply because I went in to it with the most tempered expectations possible (which you can easily do when a well loved cast member with a distinct performance style who had a decently long tenure on the show returns...see, that's the nice thing about alumni hosted episodes...especially when said alumni has previously hosted). As expected, Molly Shannon was a perfectly pleasant host whose charm and warm personality shined through. Even if the post Update half of the show started to crumble, she was able to put pretty much all of it over on her part. No cast member got shut out of the show entirely, but both Mikeys' felt underused (in fact you'd think we might see more of Mikey than we did given that he and Shannon previously worked together on the American remake of "Kath and Kim" which incidentally aired on NBC around the last time she hosted) but Dismukes and Punkie made big comebacks. Anyway, let’s begin.

Trumps' Last Supper - Well, I was expecting this to be a JAJ/Trump open. I was foolish NOT to think they'd make it Easter themed. After all, this is the second time they've done such a thing since JAJ joined the cast. All I can say is, aside from Molly's Judas and JAJs' "get very violent and start a war" line and the slight meta nod at the end, this did absolutely nothing for me. C-

Monologue - Well, I was expecting Molly to do SOMETHING at the top of the show to bring up the energy level. If she couldn't find a way to pull off a Mary Katherine Gallagher cold open like she did back in '07, a charming musical number with shades of 'Leg Up!' was the next best thing. I liked all the cast cameos (especially how they got BOTH Molly's to chat briefly with each other while all but ignoring the elephant in the room). Shorts' cameo was a nice touch. B-

Vincent's Valets - Even though this felt completely telegraphed, they had me right from Dismukes and JAJs' first interaction. Shannon and Kenan added some fun dark vibes to it. I did like how blatantly Kenan made Devon break. B+

Jeannie Darcy: Selective Startage - I do love how one of the only recurring characters of Molly's to appear in both her hosting stints is by far one of her most obscure to casual SNL fans. The basic level of anti-humor here still worked for me (even if this did seem a bit similar to that fake trailer for a fake Dave Bautista standup special that Netflix actually did tweet out last week), and I liked how they took the pics out of what an overblown "event" Netflix made thst Chris Rock special out to be (even if these could've worked better as two separate sketches). Ego's Arsenio and Punkies' Wanda were pretty funny (even if Punkies' impression could've used a bit more work). I honestly could've done without Chloes' Sarah Silverman, though. It felt like too much of a cheap imitation of Melissas' Sarah Silverman. I did like the meta Tesla joke at the end, though. B-

Office Baby Shower - While I'm not normally one for extended fart jokes, I do appreciate how committed this was to its own gleeful stupidity and I think that we can all agree that Molly Shannon is really the only sketch performer with the warmth and likable personality necessary to put this over. Honestly, the way the ending came across as botched would be my only point against this sketch. B-

PDD: Molly 2K23 - I thought the idea behind this was fun and clever, but maybe the PDD boys breezed through this a bit too fast, and something felt missing? Watching it over again, I liked the details of the commencement/death battle/skateboarding/daughter talk levels , and I did the rap at the end. I will also say I do like how they tried to throw in subtle references to MKG throughout the show to make up for the fact that Molly can't really play such a heavily physically comedic role anymore, though. B-

Year Of A Thousand Men - At first, this seemed like it wasn't going to work for me at all. The obligatory Nick Jonas sketch cameo almost cemented this for me but I just couldn't get over the tired premise of "one person being humiliated beyond belief in front of a crowd" that felt played out roughly a decade ago. What ended up turning this around for me was seeing the play-within-a-sketch catch up with the sketch chronologically in real time. C+

Update was pretty underwhelming. We're back to Che getting the lion's share of the better jokes (specifically his MTG/Murdoch/Pope sex blessing/YouTube prankster/Vogue cover jokes), but at least he and Jost seem to know how to play off each other well (and I'll give it to Jost for that DeSantis joke). Bowens' Jafar was something I completely tuned out of. I immediately could tell this wasn't for me, but I liked the dumb revelation that DeSantis apparently got married at Disney in real life. Punkies Angel Reese commentary was entertaining. I wonder if this was the shows' way of making it up to her for cutting her Brittney Griner commentaries over the past two seasons? Heidi's new character just barely got by on sheer goofball energy and Wiig-like mugging. The reveal of her being Che's assistant felt like an inside joke that they didn't care if the audience was in on or not. C+

Drug Commercial Shoot - This felt way too unfocused and slapdash for me. I appreciated Kenan trying to add some silliness to it, but it just seemed to veer this more and more off track. Ego and both Molly's were really the best thing about it. C-

Sally O'Malley - Well, just when I thought she was going to leave this character back in mothballs...here she is. Considering this was also the second "obligatory Jonas cameo sketch" of the night, it seems doubly odd that this was buried so late in the show. I guess Jonas brother's fans from their early days either don't have problems staying up late or just...won't stay up or stay in at all and will just catch this online if it pops up in their social feeds. This also felt a little too rushed and confused to me (especially given how overly long the previous Sally O'Malley sketches always felt to me) and it lacked an ending (not the sketches' biggest problem, I know) but kudos to Molly Shannon for finding SOME way to sneak in whatever physical humor she can give us here. Also, there is one elephant in the room we should be addressing tonight. Shouldn't Sally O'Malley at least chronologically be 73 or 74 by now? I mean, yeah, it's a sketch, and that may not HAVE to be canon. Sketch and cartoon characters are probably the last types of fictional characters that should age in any way but I had to brung this up not just because Shannon is now 58 in real life but also because 50 is no longer considered...well, not just "that old" necessarily but it's not an age where it would be considered outrageous to have an active lifestyle. In fact, Patton Oswalt would be the first to tell you that heavy exercise and an outdoor lifestyle would even MORE be encouraged once you turn 50 (well, at least low impact hiking if nothing else). Maybe this was the Jonas brother's "safe choice" for a sketch to cameo in that wouldn't alienate some of their more Christian fanbase that stuck with them (it was clearly just an excuse to get some cheap laughs by wearing goofy outfits) or maybe the Jonases just wanted to do this because it's a sketch they grew up watching with their parents but either way...they probably should've switched this around with the Jeannie Darcy pretape between dress and air so this could've been earlier in the show where it would’ve made sense. C+

CNZen - Hmm... modern day CNN coverage of Trumps' indictment/arraignment being channeled into a meditation app for bland centrist Colbert #Resistance liberals. This one seemed like it was going to be a bit of a thinker. What this was missing in conceptual coherence it quickly made up for execution. All the cast members playing current CNN anchors did great jobs in this. I especially liked the inclusion of Sarah as Wolf Blitzer and JAJ as Lindsay Graham. Molly Shannon does have the perfect voice to pull this sketch off. I do wonder who wrote this because it seems almost like a Che concept but more focused and almost as pointed as some of Che's Update jokes about, just...certain types of white people in general. I mean, it may not have been as pointed as the "Trump Addicts of America" pretape was from the season 46 Adele episode, but at least this targeted a different type of person who "makes hating Trump their entire personality" and did so at a time when the stakes were substantially lower. C+

Now, my latest ranking of the season so far...

1. Aubrey Plaza/Sam Smith (01.21.2023)
2. Michael B. Jordan/Lil Baby (01.28.2023)
3. Dave Chappelle/Black Star (11.12.2022)
4. Steve Martin & Martin Short/Brandi Carlile (12.10.2022)
5. Quinta Brunson/Lil Yachty (04.01.2023)
6. Molly Shannon/Jonas Brother's (04.08.2023)
7. Keke Palmer/SZA (12.03.2022)
8. Jenna Ortega/The 1975 (03.11.2023)
9. Travis Kelce/Kelsea Ballerini (03.04.2023)
10. Austin Butler/Lizzo (12.17.2022)
11. Jack Harlow (10.29.2022)
12. Pedro Pascal/Coldplay (02.04.2023)
13. Woody Harrelson/Jack White (02.25.2023)
14. Brendon Gleeson/Willow (10.08.2022)
15. Miles Teller/Kendrick Lamar (10.01.2022)
16. Amy Schumer/Steve Lacy (11.05.2022)
17. Megan Thee Stallion (10.15.2022)

Well, aside from a new "Delicious Dish" that episode pretty much gave me everything I was expecting. Next week, Ana De Armas makes her hosting debut. Given that this would be another female host for whom English is not quite their first language (I had read that she had to learn her lines for "Blonde" phoenetically) I would expect this to be another strange episode in the same vein as Gal Gadot Circa 2017 or Sofia Vergara Circa 2012 (hey, I wonder if Andy picked that one for him and Jon to review BEFORE she was announced? I'm sure it's just a coincidence). I would hope she could defy those expectations because from what little I have seen of her acting, she seems to be able to hold her own. Still, she doesn't seem like the ideal pick for "potential final host of the season if another strike DOES happen in May." Oh well, see you then and Happy Easter!

Jenna Ortega/The 1975 (03.11.2023)

Okay, here's my review. This episode of SNL was a little uneven, but overall, it felt like the show was headed back in the right direction. Jenna Ortega proved to be a dynamic host who proved she belonged on that stage immediately. It was clear from the beginning the show knew exactly how to use and play to the strengths of (given all the creative control she took on the set of "Wednesday" she was probably glad to tell the writers exactly how to use her in sketches and what her strengths were as an actress). Honestly, it was nice to have a host who didn’t bring an "off" vibe to the show. It's nice to get back to hosts who aren't just relying on their own overconfidence and actually have the performing chops to be on the show. Plus, no one felt shut out of the show completely (although a little more Punkie, Squirm, and Longfellow and a little less reliance on Mikey wouldn't have hurt). Anyway, let’s break it down, shall we?

Access Hollywood Oscars Red Carpet Show - Well, we get another left field cold open that was, unfortunately, too scattershot for its own good. Still, I really liked how they used Marcello, Molly (their Brendan Gleeson was the sole highlight of this), Dismukes, Devon, Sarah (minus the Chuck Schumer tag at the end), Kenan (he had funny enough dialogue to make up for his disappointing Tyson) and Longfellow (yeah, I could tell that was him as Del Toros' Pinocchio). The only things that didn't work for me were Heidi as...well, Heidi, Mikey as Colin Farrell, Bowen as Santos (played out) and Chloe Fineman as Kate McKinnon as Kristen Wiig as Jamie Lee Curtis. C+

Monologue - Already, this monologue feels halfway between Aubrey Plaza and Selena Gomez (in terms of material and how much faith the host had in delivering it). Still, Jenna bought the exact right energy the show needed at this point. I'll admit that Facebook/TikTok joke made me laugh even though it sounds like a lone that would’ve gotten cut from an episode of "Velma." I liked the "happy, extroverted people" joke, too. The only part I could've done without was Armisens' cameo, which just made me feel...uneasy on multiple levels. I was a little nervous when Jenna named "The Californians" as her all-time favorite sketch, but thankfully, I realized how many more cameos they would need besides Armisen to pull off another one of those. Now that I think about it, I could've done with less reliance on her old toothpaste commercial. Also, as someone who has watched this show in their infancy, I can never imagine someone being "too young" to watch the show. C+

School Vs. School - Hmm...I'm torn between thinking this sketch didn't go far enough with its premise of "Not! X-Men cause chaos on a college competition game show" and thinking "the over the top acting from Jenna/Mikey/Molly justifies it's short length because they left it with nowhere else to go". I mean, it's been decades since I've seen any of the X-Men movies or even one of the cartoons. I wouldn't be able to tell you for sure if the acting in the movies really is that over the top so maybe this would've landed better with me if I was a bigger X-men fan, I dunno. One thing I'm NOT torn in is Kenans' rambling about Covid butt swabs could've been cut way down. I'll add that Jenna Ortega is definitely the right host for this sketch (as I could see her taking this exact role in an actual movie in an alternate universe). C+

PDD: Roadtrip - I really didn't know what to make of this. It just felt like four different sketch ideas crammed into one (and at least two of them felt like ones we've seen before, unfortunately). Still, I like that they tried to add some dark vibes to this. I just wish it had felt a little more focused, is all. I will say that JAJ as Billboard Jesus gave me my first genuine laugh in this. C-

Parent Trap Remake - From the moment Armisen walked in, I knew this was going to be a challenge, but thankfully, I've seen worse sketches than this one where Armisen plays inappropriately brash characters. Plus, Fred and Jenna do have a decent enough chemistry to make this work. C+

Ridiculousness - Now, this DEFINITELY feels like something the show should've just done in say...season 42 and been done with (which they kinda did if you go back and watch the Kristen Stewart episode) but adding Jenna Ortega as the one who just adds intense and horrifying personal anecdotes makes this worth putting on the air in 2023. This is honestly the thing that got me fully onboard with this episode. B-

Varsity Valley - I definitely liked the premise of "high schoolers being somehow oblivious to the insane chaos happening in the literal background of their unfunny romantic mellodrama." That's much more fun to watch than something where we just see Jenna and Marcello having a weird interaction. I didn't much care for the completely telegraphed ending reveal of Mikey being Jennas' Dad, but I did like him shoving Dismukes taser down his pants. I'd say if any of these episodes' pretapes could be used as a bargaining chip by the post production editors to get paid and otherwise compensated what they're worth and avoid the April 1st strike, THIS would be it. B+

Update was once again more worth tuning in for guests than jokes. The only ones that stood out to me were Che's Trump/DeSantis/great great grandchild jokes and Josts Rite-Aid/shower eating/RuPaul jokes (more swap vibes, at least...and we got a callback to something from earlier to make up for the callback we could've gotten during last weeks update that ended up getting cut). Molly, as a crusty, old closeted anti-LGBTQ Republican was something I wasn't sure I wanted to see at first, but then I realized she bought some things to this role that Aidy wouldn't have. Plus, this is not the first time in this episode let alone this season that Molly has played cisgendered men on the show and I liked both their Brendon Gleeson and their Terry Bradshaw just fine (...yeah, you guys understand why I'm extremely hesitant to use the word "drag" here, right? OK, good... moving on). JAJ, as himself just filling time with impressions on Update, was a nice touch. This feels like something the show only does once in a certain number of years. Even if the Adam Driver/Kyle Ren thing may have just been taken directly from his audition tape and I could see him getting some flack for the Jay-Z voice, I liked seeing this just for how he made it impossible for Jost & Che to not break. B-

Exorcism - Well, with this host, this sketch seems pretty much like a given. It's good to see another Ego/Kenan sketch, but this one didn’t really do much for me. It honestly felt a little too predictable and didn't go anywhere. C-

Soul Booth - A musical sketch with a JAJ/Dismukes pairing as the centerpiece that involves lots of shouting. I liked that part of it WAY more than I liked Bowens' wild over acting. B-

Now, my latest ranking of the season so far...

1. Aubrey Plaza/Sam Smith (01.21.2023)
2. Michael B. Jordan/Lil Baby (01.28.2023)
3. Dave Chappelle/Black Star (11.12.2022)
4. Steve Martin & Martin Short/Brandi Carlile (12.10.2022)
5. Keke Palmer/SZA (12.03.2022)
6. Jenna Ortega/The 1975 (03.11.2023)
7. Travis Kelce/Kelsea Ballerini (03.04.2023)
8. Austin Butler/Lizzo (12.17.2022)
9. Jack Harlow (10.29.2022)
10. Pedro Pascal/Coldplay (02.04.2023)
11. Woody Harrelson/Jack White (02.25.2023)
12. Brendon Gleeson/Willow (10.08.2022)
13. Miles Teller/Kendrick Lamar (10.01.2022)
14. Amy Schumer/Steve Lacy (11.05.2022)
15. Megan Thee Stallion (10.15.2022)

Well, that's a nice course correction for this season. Next month, Abbot Elementarys' Quinta Brunson makes her hosting debut. She's another name who has been overdue to host since the beginning of this season. She's definitely got the chops to host SNL, so I'm excited to finally get to see her. However, I still have to make up my mind as to whether or not I would watch live if the post-production editors strike does indeed happen that night. Some have said that even watching makes them feel like they are crossing a picket line (and that would make me feel like a big hypocrite for very personal work related reasons I cannot get into here) but to each their own I suppose. Still, I would like to take this opportunity to state that I personally wish the SNL post production team the best of luck in their negotiations. I hope they get everything they are bargaining for. I wish the same for the writers as well as I understand they may have to go on strike for similar reasons in two months. See you then!

(...and remember, I am still taking applications for guest blogger, so if you want to write your own guest post like Blood Meridian did or if you want to submit your own fan mailbag question for me to answer like I did for Ken George Jones, PLEASE let me know!)